My Life is Magic

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.

The official visuals for JOE SD’s album “Forever Young”.

The California metalcore gods tear it up in London.

The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.

A document of Denton, TX emoviolence band bulletsbetweentongues recording their first LP "The Lights Never Lie."

A struggling young man secretly plays a magical trumpet that transports him from his desolate world into a colorful "bliss." When his younger brother discovers his secret, their relationship is put in jeopardy.

Documentary about Finnish rap-duo JVG. In addition to the unprecedented video footage recorded over a ten-year period, the film features JVG and the background influencers, family members, and friends who built its story.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.