Soviet Union: The Rise and Fall - Part 2

Thirty-six years after the Chernobyl nuclear reactor exploded in Soviet Ukraine, newly uncovered archival footage and recorded interviews with those who were present paint an emotional and gripping portrait of the extent and gravity of the disaster and the lengths to which the Soviet government went to cover up the incident, including the soldiers sent in to “liquidate” the damage. Chernobyl: The Lost Tapes is the full, unvarnished true story of what happened in one of the least understood tragedies of the twentieth century.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Documentary - This 1982 film explains the KGB infiltration of America. Who they are, what they are doing, and how well they have infiltrated North America. - Harold Brown, Nikita Khrushchev, V.I. Lenin

Raimonds Pauls is almost 85 years old, rehearses almost every day and performs at least once a week. What drives him? Not only he is the most popular composer in Latvia: his songs are sung all over the world. "Dāvāja Māriņa" is so popular in Japan that Paul received the Japanese Order of the Rising Sun. In concerts, he collaborates with world stars of Latvian origin - soprano Elīna Garanča, organist Iveta Apkalna, conductor Mariss Jansons. The Latvian Television film crew follows him during the pandemic, realizing that the restrictions and threats of Covid-19 hardly stop the Maestro in the course of his eternal engine. How does he cope with the challenges that time imposes on a person's physical form and the loneliness when most friends have passed away? What is the source of his inexhaustible lifestyle and creative spirit?

Filmmaker Steve York explores the controversial 2004 Ukrainian presidential election, during which candidate Viktor Yushchenko suffered a near-fatal poisoning and his unpopular opponent, Viktor Yanukovych, was declared the winner. In the aftermath, more than a million people - including the ailing Yushchenko - took to the streets of Kiev, protesting the results that contradicted exit polls showing Yushchenko with an impressive lead.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?

1979. Flicking through pictures from a Soviet magazine, 15-year-old Martim dreams of building a new society. His radical communist parents send him to study at Astrakan for one year. In her new film, Catarina Mourão captures with tremendous precision the moment a middle-aged man passes his story on to his son, thus shedding the taboo of his ineffable experience.

This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.

Film cameras cruise the Soviet Union's mighty Volga River, providing a view of the Russian people along its 2300-mile length, including looks at the fishing industry, a rural village, a manufacturing town and the wedding of two factory workers.