Second Sight

Katia, a volunteer from Kyiv fighting against the invasion of Ukraine, uses a laptop donated to the resistance and comes into contact with the young son of the computer’s original owner, who is desperately in search of his missing parents. Her attempts to help the child will see her risk all she holds dear.

The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?

When 30y/o Joel returns to the stairwell, he freezes in shock. His baby stroller is gone.

After an older lady hangs herself in a church, a new psychiatrist discovers she was obsessed with the disappearance of his eight-year-old son, who vanished three years earlier. Meanwhile, three city dwellers are restoring a house when they realize it is haunted.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

A man searches for his brother in a locked down school.

A young woman watches TV with her cat in the room. A dying man explores what's left of his psyche.

An affair between a pianist and a teacher begins to disintegrate when girls from her school turn up missing.

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.

A masked killer encounters his next victim. She’s not what he’s expecting. Bloodlust becomes blood-romance. They’re meant to be.