PROLIX

Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it. Born into a family that supports the nationalist Kuomintang, Zhang eventually became a leftist and joined the Communist Party. But his family’s background eventually catches up with him, and in a series of bureaucratic measures, he is labelled as a Rightist, leading to a slew of irrational yet life-affecting consequences. His story is told through an exhilarating hybrid of forms, blending documentary-styled interviews and spectral theatrical displays within an ever-mutating studio-space. Hypnagogic in its imagery and ironic in attitude, Mr. Zhang Believes is a tour-de-force treatise of a man caught within dogmatic political maneuverings, which it critiques indirectly with creative and stoic fervour.

A troubled couple copes with a malfunctioning pregnancy test.

A surreal, low-budget odyssey through time, space, and toxic relationships.

A hallucinatory retelling of the Greek myth about Pan and Syrinx's brutalist romantic love. Inspired by the short films of Maya Deren, Curtis Harrington and the art of Rosaleen Norton and Brett Whiteley, 'Love and the Demonic Psyche' channels French poet Arthur Rimbaud's proclivity for a derangement of the senses, culminating in a Cocteau style blood painting invocating the horned God of Panic. Encompassed in psychedelic visuals and Moroccan trance music, this film should be viewed in the spirit in which it was made.

"Resonances" is an abstract journey that invites diverse interpretations. For some, it’s the tale of an ant that delved too deep, for others, a puppet seeking freedom. The narrative evolves with the viewer, offering no single path but rather a multitude of meanings. Free and autonomous, "Resonances" challenges you to explore with your mind and question with your soul. Only through personal reflection will the answers reveal themselves, making the experience uniquely yours.

Extraordinarily detailed and beautifully drawn animation of a bizarre and surreal world; the domestic life of a fat man, his wife, a sort of oversized obese chicken, and their child/pet, a slug-like creature with a human head. This expressionistic and interior vision of Soviet animator Kovalyov is like an animated Eraserhead. Preserved by the Academy Film Archive, Academy War Film Collection, in 2007.

To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)

An anonymous urban protagonist experiences a series of absurd situations-including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay-infused with a unique anarchic energy, eventually suggesting our true animal nature.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

Director of this movie gave an advertisement in many Yugoslav papers calling everybody who wants to act in movie regardless of age, look or profession to reply. From 7000 arrived letters, about 30 heroes were picked up for the movie and its story was made based on what they wished to play.