Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
I have all the respect in the world for John Boorman--his 'Point Blank' and 'Deliverance' are excellent--but this sequel to one of the greatest horror movies ever made simply falls listless and flat. Of course, the script is extremely talky and lifeless--as if it had been 'exorcised' of all the wonder and shock that William Friedkin's vision of the battle of good vs. evil would entail. Yes, Sir Richard Burton was a great actor--yet when shoehorned with a crappy script and with his more irritating peccadillos left unrestrained, he can be such a chore and bore to watch. Though I have not seen the two more recent 'prequels' for the 'Exorcist' franchise, I can safely say that while 'Exorcist II' is not the worst horror movie ever made (that, by the way, never seemed its intention), it's certainly the worst of the original trilogy--and by a country mile. This is a work that would probably bore the demons so much, they would decide to get out of Regan MacNeil's body, and perhaps even leave Earth's plane altogether, never even wanting a return ticket.
One of the many things that make The Exorcist arguably the greatest horror films ever made – or simply one of the greatest films ever made, regardless of genre –, is that it has no use for the obligatory final shot suggesting that the evil will continue. On the contrary, it ends on a hopeful, optimistic note; a welcome relief following the ordeal we, characters and viewers alike, have just endured. Exorcist II: The Heretic carries on as if that final shot had actually been there all along. It's not just that Regan MacNeil (Linda Blair) must go back to dealing with Pazuzu four years after the fact – meaning that two good men died for nothing –; it's how this reencounter comes about. Once we accept the possibility of demonic possession, everything else in The Exorcist is perfectly plausible. The Heretic, on the other hand, comes up with a "synchronized hypnosis" device that leads to such ludicrous dialogue as "Your machine has proved that there's an ancient demon within her!" That this line is delivered by a frantic Richard Burton – who could achieve greatness with the right material – doesn't do it any favors. All things considered, the only heresy on display here is what director John Boorman does to the source material (in fairness to writer William Goodhart, his script was apparently rewritten beyond recognition) – I did, however, really enjoy the metaphorical use of locusts, which can go from solitary and harmless grasshoppers to, well, Legion.
When a remote village is plagued by a deadly curse, one brother must fight to save his family from a terrifying supernatural threat.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.
A skeptical, small town doctor is forced to confront his personal demons in order to save the life of a teenage girl who has become possessed in his family's old house.
The residents of San Francisco are becoming drone-like shadows of their former selves, and as the phenomenon spreads, two Department of Health workers uncover the horrifying truth.
A Marine Biologist is assigned to investigate the mysterious deaths of some marine life in an inland salt water lake that has been attributed to a creature thought to have been the stuff of a legend.
Julia becomes worried about her boyfriend Holt when he explores the dark urban legend of a mysterious videotape said to kill the watcher seven days after viewing. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a "movie within the movie" that no one has ever seen before.
After the tragic deaths of her husband and daughter, Sarah Doyle moves back to her childhood home with her estranged brother, Richard. It's not long before Sarah begins to experience supernatural phenomena of a violent and hostile nature.
High school loner Bird Fitcher has no idea what dark secrets are tied to the mysterious Polaroid vintage camera she stumbles upon, but it doesn't take long to discover that those who have their picture taken meet a tragic end. Bird and her friends must survive one more night as they race to solve the mystery of the haunted Polaroid before it kills them all.
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
A couple and their 12-year-old son move into a giant house for the summer. Things start acting strange almost immediately. It seems that every time someone gets hurt on the grounds, the beat-up house seems to repair itself.