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***Eccentric depiction of the medieval myths surrounding King Arthur*** In the late 400s Merlin the sorcerer of Britain takes advantage of the lust of King Uther (Gabriel Byrne) for a Duke’s wife, Ingrayne (Katrine Boorman), to grant him a boy who becomes King Arthur of Camelot (Nigel Terry) when he pulls Excalibur from the stone, a magical sword. Arthur marries Guenevere (Cherie Lunghi), but when Lancelot (Nicholas Clay) joins the Knights of the Round Table the two experience a profound affinity for each other. Meanwhile, Arthur’s half-sister, Morgana (Helen Mirren) is intent on incestuous deception to produce a son, Mordred. The script to this acclaimed 1981 film by John Boorman was adapted from Sir Thomas Malory's “Le Morte d'Arthur” (“The Death of Arthur”), published in 1485. The Arthurian folklores are used as an allegory of the succession of birth, life, decline, and renewal. The resulting film is reminiscent of works of mythography and is therefore episodic in nature. For instance, the sequence where the concept of the Round Table is established comes and goes in an awkward way. Another example is at the 95-minute mark where the story switches to the Knights’ search for the Holy Grail, which focuses on a heretofore unknown knight. Needless to say, the story’s not consistently compelling because the movie’s too segmented. The middle part detailing the romance between Guenevere and Lancelot, and the ramifications thereof, is the best part as far as that goes. The first half hour is a little convoluted, story-wise, and I suggest using the subtitles to discern accented dialogue and to keep track of the odd names. The search for the Holy Grail in the last 45 minutes breaks the film’s momentum because it feels tacked on. Nevertheless, if you can roll with the hammy acting, the melodrama and the episodic framework, there are a lot of positives to enjoy. Some good examples include: the beautiful sylvan locations, the fairy tale-like castles & sets, the imaginative costumes (e.g. the armor), the lovely ladies and the lush colors. Also, the soundtrack/score, which greatly utilizes “O Fortuna” by Carl Orff and a few pieces by Richard Wagner, is notable. Meanwhile, watch out for a young Liam Neeson as the knight Gawain. The big flaw here is that the story lacks steady thrust. For that, check out the more reality-oriented “First Knight” (1995) and “King Arthur” (2004). The film runs 2 hours, 20 minutes and was shot entirely in Ireland. GRADE: B-/C+
A fun “retro dark fantasy” movie with applaudable historical accuracy, peak 80s visuals, with some campy moments. A gem of the 80s that holds up well today
The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.
Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.
Othello, a melancholic family man, seeks out a seraphic myth known as The Guide for enlightenment and is unknowingly taken on an esoteric tour of confrontation.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.
In 1968, Donald Crowhurst, an amateur sailor, endangers the fate of his family and business, and his own life, blinded by his ambition to compete in the Sunday Times Golden Globe Race, attempting to become the first person in history to single-handedly circumnavigate the world without making any stopover.
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
Meet the Murphys, a family with never ending bad luck. "Anything that can go wrong, will go wrong," it's Murphy's law! Over a century ago a witch put a magical curse on their great-great grandfather and the whole family has been jinxed for generations! After Meg Murphy (played by Big Time Rush's Ciara Bravo) and her family's house is destroyed in yet another freak accident, the family moves into their grandfather's house in Harvest Hills. In a not-so-strange case of bad luck, Meg's nemesis Ivy is also spending the summer in town. But things start to look up, kind of, when Meg meets a local boy named Brett and he casts another spell on her, a love spell that is! With help from her brother Charlie, Meg more determined than ever, must break the hex on her catastrophically cursed family! Watch this doomed teen try for a normal existence in a world full of hijinks!
Three Magi Priests from different regions of the world journey through the unforgiving desert in hopes of finding proof of an age old prophecy. But Kings of men and fallen angels will stop at nothing to destroy the Magi and the baby boy they hold dear. These evils force the Magi to confront and make peace with old demons in order to prepare for the arrival of the new born King.
A vendetta between two Corsican families is the background to Alexandre Dumas' story of the strange bond between twin brothers, who are separated at birth.