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***Eccentric depiction of the medieval myths surrounding King Arthur*** In the late 400s Merlin the sorcerer of Britain takes advantage of the lust of King Uther (Gabriel Byrne) for a Duke’s wife, Ingrayne (Katrine Boorman), to grant him a boy who becomes King Arthur of Camelot (Nigel Terry) when he pulls Excalibur from the stone, a magical sword. Arthur marries Guenevere (Cherie Lunghi), but when Lancelot (Nicholas Clay) joins the Knights of the Round Table the two experience a profound affinity for each other. Meanwhile, Arthur’s half-sister, Morgana (Helen Mirren) is intent on incestuous deception to produce a son, Mordred. The script to this acclaimed 1981 film by John Boorman was adapted from Sir Thomas Malory's “Le Morte d'Arthur” (“The Death of Arthur”), published in 1485. The Arthurian folklores are used as an allegory of the succession of birth, life, decline, and renewal. The resulting film is reminiscent of works of mythography and is therefore episodic in nature. For instance, the sequence where the concept of the Round Table is established comes and goes in an awkward way. Another example is at the 95-minute mark where the story switches to the Knights’ search for the Holy Grail, which focuses on a heretofore unknown knight. Needless to say, the story’s not consistently compelling because the movie’s too segmented. The middle part detailing the romance between Guenevere and Lancelot, and the ramifications thereof, is the best part as far as that goes. The first half hour is a little convoluted, story-wise, and I suggest using the subtitles to discern accented dialogue and to keep track of the odd names. The search for the Holy Grail in the last 45 minutes breaks the film’s momentum because it feels tacked on. Nevertheless, if you can roll with the hammy acting, the melodrama and the episodic framework, there are a lot of positives to enjoy. Some good examples include: the beautiful sylvan locations, the fairy tale-like castles & sets, the imaginative costumes (e.g. the armor), the lovely ladies and the lush colors. Also, the soundtrack/score, which greatly utilizes “O Fortuna” by Carl Orff and a few pieces by Richard Wagner, is notable. Meanwhile, watch out for a young Liam Neeson as the knight Gawain. The big flaw here is that the story lacks steady thrust. For that, check out the more reality-oriented “First Knight” (1995) and “King Arthur” (2004). The film runs 2 hours, 20 minutes and was shot entirely in Ireland. GRADE: B-/C+
A fun “retro dark fantasy” movie with applaudable historical accuracy, peak 80s visuals, with some campy moments. A gem of the 80s that holds up well today
Having lost their status and credibility five years after covering New York City with gooey roasted marshmallows in Ghostbusters (1984), the city's former heroes and once-popular spirit-hunters struggle to keep afloat, forced to work odd jobs. However, when Dana and her baby have yet another terrifying encounter with the paranormal, it is up to Peter Venkman and his fearless team of supernatural crime fighters to step up and save the day. Once more, humankind is in danger, as rivers of slimy psycho-reactive ectoplasm, paired with the dreadful manifestation of evil sixteenth-century tyrant Vigo the Carpathian, threaten to plunge the entire city into darkness. Is the world ready to believe? Can the Ghostbusters save us for the second time?
Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day Moscow the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, the movie's protagonist, try to control them and limit their outrage
Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?
In the distant future, demonic creatures rule the earth. Two magicians try to open a chest that holds the secret of the salvation of humanity.
Eccentric, non-binary fortune teller Fei Liu's way of life is threatened when figures and phantoms of present and past visit their tent and plague their subconscious, throwing their own future - and grip on reality - into turmoil.
A football player and his mates travel to the planet Mongo and find themselves fighting the tyranny of Ming the Merciless to save Earth.
The film tells the tortuous love story of Diao Chan and Lu Bu after various hardships in the Three Kingdoms period, praising the innocent story that is missing at the moment.
During the summer vacations, the three friends are about to take a trip together to Romania, where they are allowed to complete an internship on the film set of "Dracula Rises", arranged for them by Peter's father, who is responsible for the special effects during the filming. No sooner do they arrive in Transylvania than mysterious events begin to pile up at Countess Codrina's old castle, which serves as the original setting for the film. The three detectives want to find out what all this may have to do with a boy who has been missing for over 50 years, a mysterious brotherhood and an enigmatic undead. Soon, not only the filming and Peter's relationship with his father are at stake, but also the friendship of the three investigators.
A young girl named Kiki must leave her home for a year to begin training in witchcraft. She leaves on her broom, but first says goodbye to her friends and family. Kiki then begins her new life with her trusted cat Jiji.