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I watched this film without knowing almost anything about the actual events that are depicted in this film. What a surprise it was! The cast did an amazing job to reflect the actual characters in history while the director did a stellar job in representing it. Would I watch it again? I don't think so. Would I make my friends watch it? Definitely!
I guess I'm giving it a 10 out of 10 for the acting, for the lighting, and for the attempt. In other words this is a movie that you want to watch, a movie that will probably be enjoyed (unless you find movies like this boring, and, if you do, you've already made up your mind not to watch it). However, it fails in the execution. Frost/Nixon should have been a struggle between minds, a chess game, and because of that it needed to have almost a paranoia to it. A tension that could be felt as one side attempted to take down the other. It missed the opportunity there. Possibly because it was only an interview, possibly because the results of which didn't really matter, either way it missed the tension boat and the film ultimately suffers for it. What could have been All the President's Men turned into something well done, but ultimately forgettable for failure to really develop the mood to set the pace. However, the acting was superb and the film certainly looks great. It is a pleasure to watch, it just never gets to the emotional level it needed to be brilliant and memorable.
Though it really only comes alive in the last half hour, this is still a powerful dramatisation of the setting up and execution of the interviews between the disgraced US President (Frank Langella) and the enthusiastic British talk show host (Michael Sheen). It was the latter who initiated a proposal with lawyer "Swifty" Lazar (Toby Jones) to suggest the president might like to tell his story. The Nixon camp considered Frost a bit of a manageable lightweight and decide that if he can raise the $600,000 cash, then why not? It takes a while to negotiate the terms, but by 1977 all is agreed and they sit down for the first in a series of two hour recordings. Despite a strong start, opinions seem to solidify around Frost being, indeed, a bit too weak to elicit anything newsworthy from his savvy political opponent. Luckily, Frost has the viscerally anti-Nixon James Reston (Sam Rockwell) in his camp and some serious research unearths things that are going to make it very difficult for Nixon to continue to try to remain as aloof and statesmanlike as he would like. It's Langella who really comes into his own as, believe it or not, he actually engenders a little sympathy towards the conclusion. That's all history so no jeopardy there, but I think the characterisation of the president was solid and engagingly delivered an image of a man who definitely believed in himself! Sheen is adequate, as is the weakly cast Matthew Macfadyen as producer John Birt and Kevin Bacon as Nixon's right hand man and borderline disciple Jack Brennan. The writing is occasionally potent here and as we are exposed to Ron Howard's version of events, it gradually becomes quite a compelling postulation to watch and opine about.
A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.
Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring.
Eight London couples try to deal with their relationships in different ways. Their tryst with love makes them discover how complicated relationships can be.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters - one who became his wife, and the other, his biographer.