Living with Lions

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

A portrait of the mythical band Bembeya Jazz, which contributed to the heyday of Sekou Touré’s cultural revolution in Guinea. Created in 1961 in the heart of the rainforest, Bembeya Jazz rapidly became modern Africa’s greatest orchestra. 50 years later, immerse yourself in the history of a legend that livers on!

Five fishermen from Manresa, a poor neighborhood to the West of Santo Domingo in the Dominican Republic, learn from marine biologist Omar Shamir Reynoso's one-of-a-kind plan to protect nesting sea turtles.

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.

A look into the lives of eagles.

A look into the lives of kingfishers.

In Over the Cattle Grid you follow to Robert, Rinke and Ytzen, who spend every day in the woods between the villages of Odoorn and Exloo. Ytzen and Rinke because they live in the middle of the woods, Robert because he cycles through the woods every day to get to work. Behind the grid time seems to pass in a different way. Or as Ytzen says "there is no time, there is just being". They also see things they have never seen before, such as trees that lose their leaves in September and plants that want to start growing in the middle of winter. You will also see Wietse de Haan and Evert Prummel, they build instruments from dead trees. All the music you hear in the film was played on these tree instruments and recorded in the forest. Okki herself also occasionally passes by. She has been coming to this piece of forest all her life, which is a kilometer from the house where she grew up. Not only has she known the forest, but also Robert, Ytzen and Rinke for most of her life.

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.

A look at the life of a man and his hat and his beard.

A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.