琥珀色の雨にぬれて

2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."

The scene is set in Kashmir, in the northernmost part of India, where the great Indus River meanders.Kamala, the granddaughter of Maharaja Chandra Kumar, the powerful viceroy of Benares, and who is promised to become the chief lady-in-waiting of the daughter of Goyar, the Grand Duke of Delhi, falls in love with Cavalry Captain Rachman, who hails from a farmer’s household. Her amour with the captain, however, is strongly opposed to by her grandfather and grandmother and aunts, on the grounds that the young lovers are too vastly separated in their respective social position.

2015 Takarazuka Revue production of "Sanctuary," a dramatization of the early days of marriage between King Henri VI of France and Margot de Valois, filmed for television.

Takarazuka Revue’s 1992 production of "The Rose of Versailles 2001: Oscar and Andre". This version focuses on the relationship between Oscar and Andre.

Takarazuka Revue's '03-'04 production of "The Seal of Roses: A Vampire's Requiem".

Eitoku Academy is a high school that caters to rich, high-society families. Among the students who attend there are four young men who have the adulation of the entire school, the "Flower 4" (F4). There is spoiled Doumyouji Tsukasa, cool and mysterious Hanazawa Rui, playboy Nishikado Soujirou, and "madam killer" Mimasaka Akira. If these four show any signs of disliking someone, a red tag is put on the locker of that student and they become a target of bullying for the entire school. Makino Tsukushi is from a middle-class family, attending because her parents asked her to. Her goal is to keep her head down until she can graduate, but her plans are soon made impossible as she is thrown into the world of the F4. Doumyouji falls for Tsukushi for her fierce independence and willingness to stand up to him, but Tsukushi likes the quiet Hanazawa Rui....

Karl was a ship hand, who has decided to return to his hometown of Hamburg. There on the night of the yearly beer festival, he meets Margit, who tells him she has left her family home in search of freedom. They spend the night in a hotel, and fall in love. Not wanting to part, Karl proposes to Margit and the two rent an apartment together. In truth, Margit is the daughter of a prominent Hamburg family, and is engaged to a man named Florian. When her family comes in search of her, Margit vows to only return with Karl by her side.

Edmond Dantes, a young sailor from Marseille, is being dragged in chains to the Chateau d'If, a state prison. He protests his innocence, but the jailors laugh and torment him before locking him up in solitary confinement. A few short hours before, Dantes had returned to Marseille from a voyage at sea and been reunited with his fiancée, Mercedes. Her father, Pierre Morrel, promoted Dantes to captain as a wedding gift to the couple. Into the middle of this celebration came the soldiers to arrest Dantes. He is sure he has done nothing that is against the law, and promises Mercedes he will return soon. Then abruptly we realize that the story is being narrated by a bunch of high school kids, who are studying the book "The Count of Monte Cristo" in order to do a play. In their squabblings about dramatic interpretation, the kids summarize the more complicated parts of the story.

Takarazuka Revue’s Moon Troupe 2018 production of the Viennese musical Elisabeth. The musical tells the story of Elisabeth (“Sisi”), the Empress of Austria, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni, through the lens of her growing obsession with death, as her marriage and her empire crumble around her at the turn of the century.

A sweeping musical adaptation of the classic Nobel Prize-winning novel about love in the final days of czarist Russia.

The musical begins mid-way through the trial of Dmitri Karamazov (Mizu Natsuki) for the murder of his father Fyodor (Mirai Yuuki). Dmitri maintains his innocence, and we are then taken back in time to see how things reached the point they are at now.