首領の道7

Nozomi Hanada, the underboss of the Kanto Saiseikai Obara Group, lives his life on the path of chivalry while protecting his happy family with his wife Komaki and son Toru. One day, a major incident that shakes the Kanto Yakuza society breaks out. Nishimatsu, the chairman of the Saiseikai, decides to have the popular Obara succeed him, instead of the powerful Fukui. However, the ambitious Fukui is not satisfied with the decision and stabs Nishimatsu to death in order to take the chairman's position. He takes the outrageous step of putting the stigma of parent murder on Obara. Nozomi and his friends decide to fight to live the path of chivalry, but an even more cruel fate befalls them.

A unique action drama in which a ruthless yakuza encounters a woman and realizes his true love as the conflict between the yakuza intensifies.

While imprisoned, Tatsu encounters Danshi, a man who is a big honcho in the prison pecking order. After initial conflict they become sworn brothers. Tatsu and the sworn brothers he acquires weren’t really gangsters before their prison time, just ruffians. Prison, however, introduces them to plenty of gangland characters and three years later, they’re out of prison and enmeshed in the yakuza world.

After assuming the title of second boss of the Obara Group, Nozomi Hanada begins a counterattack against the Kanto Saiseikai Fukui Group.

Anime adaptation of the short story "Don't Stay Gold", to be included in volume 7 of the manga.

Nozomu Kizaki, a man who hates violence and has survived in the underworld by using “sermons” as a weapon. He is also known as “Gandhi Kizaki” (Sho Aikawa). He has given up on the yakuza business, and in order to support those who are struggling to repay their debts, he teaches baseball to children while running the Hope Shokai, a money-lending business. One day, while on a collection mission, Kizaki discovers that one of the debtors is Gota Yagisawa (Takeshi Ayano), a prodigy pitcher who once made his name at the Koshien National Championships. Gota, who had never held a regular job and was mired in debt, is moved by Kizaki's “sermon” and decides to rebuild his life under his guidance. However, the shadow of the Kuroda clan, a yakuza organization, looms behind the pair...

Pro boxer Aoshima Toru is diagnosed with a terminal brain tumor and given three months to live. He uses his prize money to pay the medical expenses for a young boy with polio. But when Toru learns from his fiancee Itsuko that his own mother has died, things take a turn for the worse.

Akemi ( Mizuna Rei ), the only daughter of the Kozakura family in the Kanto region, hates yakuza and lives in a dormitory at a girls' school in Tokyo, but returns to her parents' home after hearing the news that her father has suddenly passed away. Seeing the Kozakura family for the first time in a long time, they are deserted, and the only henchmen are Pinkichi and Sutematsu. They call Akemi their sister. Meanwhile, the Gouda-gumi, who have been growing their power on behalf of the Kozakura family, repeatedly harass the Kozakura family in order to take over their territory. Akemi's younger sister Chie ( Maria Wakatsuki ) , who adores Akemi, also falls prey to the Gota group. Akemi, furious with her, takes the name of her second generation. She wears her sailor uniform and holds a Japanese sword and attacks the Gota group.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Continuation of the film Once and For All about two yakuza brothers Joji and Goro.