Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
First off, this is a very good historical fictionalization of an epic event. Many parts are very accurate whereas others are more or less. This is after all a Hollywood movie, NOT a documentary such as "The World At War", so we can't be too critical about perfect accuracy. Originally it was supposed to be directed by two directors, 1 for the American story line, and Akira Kurosawa, for the Japanese story. There were rumored difficulties between Mr. Kurosawa and the American studio bosses so Mr. Kurosawa left the production despite having an uncredited role in scripting the Japanese part of the screenplay. I have read recently that the version that was being shown, of the historical account in the movie, was different than the conventional history's perspective. However, I would say that is only in demonstrating, theatrically, how Admiral Kimmel and General Short, who were scapegoats and put through rigorous Congressional Hearings after the actual event, may have taken ample precautions. That their shortcomings were due to communications being delayed or intelligence reports being withheld. I saw it in the movie theater in 1970, and many times since and have found it to be a very fair and well done "Hollywood" representation of the essential history of an important historic event. The movie is essentially well acted, and believably presented with a few surprising disappointments. The Battleship Nevada was depicted with an inaccurate arrangement of its main batteries. In reality it had 10-14 inch guns, a 3-gun mount with a twin "Superfiring" turret over it, on the Bow and the Stern. Not 4, 3 gun mounts, (triple would mean all 3 guns were connected and couldn't be aimed independently which was retrofitted in the 1930s). When you see a ship that says Nevada on it and it isn't correctly laid out it is hard to believe the rest of the movie, particularly where details about ships, planes, equipment, facilities and ordnance were important characters in their depicted historic roles. Some actual footage of the carnage at Pearl Harbor was used, including the Battleship Arizona conflagrating (exploding). As Docu-dramas go, Tora-Tora-Tora is among the best and superior to "Midway", which used some of the same footage and sound effects having been Produced by many of same people. I mentioned the aforementioned criticisms because at the film's beginning it has a Notation, "True To Historic Fact" and expands on that statement. In reality few films or testimonies can live up to 100% accuracy and weighted relevance, but Tora-Tora-Tora does have me returning to re-experience it, and not generally to look for more errors but rather because it is an overall worthwhile film.
I remember viewing this film as a kid shortly after it came out in Sweden. At that time I was not impressed. I was expecting an action filled war movie and what I got was a boring movie where the good guys got beaten up at the end. I do not think I even new anything about the real events in Pearl Harbor at the time. Naturally I view this movie in a somewhat different light and now and when re-watching it yesterday evening I enjoyed it quite a lot. I cannot help but wondering at the historical accuracy though. If someone would have told me that this was nothing but a Hollywood script, and a predictable at that, I would probably not have doubted it. Did all these blunders really take place? That the Japanese where not playing with all their cards on the table is clear but there where so many screw-ups all over the place. Sightings not being reported, communications a mess everywhere, people asking for confirmations in absurdum, lining up the planes like ducks on a shooting range etc. etc. If this is really what happened then some of those movie scripts that seems so ridiculous maybe are not as ridiculous as one might think? Naturally the film has the drawback of being predictable. What else can you expect when it is supposed to depict actual, well known, events? I think I would have felt that it was predictable even if I did not know what was supposed to happen though. Even so it is an enjoyable, well done, movie as far as I am concerned.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.