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'Speak No Evil' is supremely well done! I felt unsettled from pretty much the get-go. That's because you can see the general direction that the movie is going to head, though that doesn't hampen the feeling of unease that is present all the way through. I did actually think whilst watching that the film was being a tad dragged out, though by the credits I was fully sold on what I had just seen. James McAvoy is outstanding, I knew he was capable of portraying such a creepy and unhinged character from seeing some of his other work. 'Split' for one, though also, oddly, 'The Chronicles of Narnia: The Lion, the Witch and the Wardrobe'; I always got creeped out when we first see his Mr. Tumnus. Mackenzie Davis impresses as well, as do Scoot McNairy and Aisling Franciosi in fairness; youngsters Alix West Lefler and Dan Hough do well too. The final scene with the latter is quite something, I thought it was going to play out slightly differently (i.e. what Ron does to Carl, for any fellow 'The Walking Dead' fans) so to see it go they way it did was unexpected - but, without question, welcome. I shall no doubt check out the Danish original at some point in the future.
How many folks have you met on holiday and promised to go and visit when you all get back home? Well for me that is always a bit like ouzo or metaxa - best enjoyed in situ but never a good idea when the trip is actually over. The "Dalton" family are a bit down in the dumps. "Ben" (Scoot McNairy) has just relocated to London from the USA to find his job evaporated, wife "Louise" (Mackenzie Davis) is trying to keep things positive and their over-indulged daughter "Aggie" (Alix West Lefler) is an eleven year old joined (annoyingly) at the hip with her cuddly rabbit. They decide that they ought to take up the offer of spending a week with their new-found holiday friends and so head to the remote home of the ebullient "Paddy" (James McAvoy) and his family "Ciara" (Aisling Franciosi) and mute son "Ant" (Dan Hough). Initially it's all good fun - even if the sleeping arrangements leave something to be desired, but gradually it becomes clear that all is not as it might be amidst this idyllic setting. When young "Ant" manages to convey a menacing secret to "Aggie" then a distinct panic sets in amongst the visitors who conclude that a midnight flit is in order. Of course, it's not going to be that easy and adaptability and ingenuity become the family's buzzwords as things become a great deal more dangerous. It does come alive a bit for the last twenty minutes, even though these are all just a little far-fetched, but the rest of this is really little more than a showcase for McAvoy to shine. To be fair, he does turn in a decent enough effort eventually but we spend far too much time building to that denouement. The preamble, some on their holiday and most at their rustic residence all advances the storyline too slowly and meanderingly to sustain enough interest to carry it's almost two hour duration, and personally, I found the likelihood that these people would ever have become friends in the first place about as remote as his house. It's all watchable enough, but nothing very memorable I'm afraid.
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/speak-no-evil-review-an-americanized-remake-for-better-and-worse/ "Speak No Evil may not reach the visceral depth of the Danish original, but it offers a more accessible, commercially appealing approach. The changes in story and tone may divide fans of the 2022 psychological thriller, but there's something to be said about the effectiveness of the stellar performances - James McAvoy is mesmerizing - and the more complex dynamic between the central characters. The thematic exploration of politeness and the pressure to adhere to social norms, even when they conflict with personal safety, remains thought-provoking, though the credit here goes to the original. For those who prefer a "softer" experience in terms of emotional and physical violence, this remake is a valid version that, while not surpassing the original, manages to deliver a distinct experience for the audience. After all, both stories can coexist and appeal to different viewers. Pick your favorite or, better yet, enjoy both." Rating: B+
While Speak No Evil fails to keep you on the edge of your seat, no other performance this year will scare you as much or beat the dramatic performance of James McAvoy's unexpected transformation into the Incredible Hulk.
**One time watchable** I had watched the original Danish version, so I already knew the story. Yet, I watched this to see how this was done. I would say it was done better than the original version. But overall, the story is lame with many flaws. The little girl and her weak father is super annoying. But, if you don’t know the story, you can watch it one time. Popcorn movie.
I don't really recall the other one but I saw it before. I guess it's better etc. The actors do a good job. I liked watching them do scenes. Russel Crowe has lost a lot of weight. Kim Basinger knows how to work a hammer. It was all a bit drawn out in the end now wasn't it. I skipped seemingly large amounts of house running. It loses the tension, becomes monotonous for the finale. If you haven't seen the other one and you like this one, I think that's fine. I like it too.
After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.
Arthur Bishop is a 'mechanic' - an elite assassin with a strict code requiring professional perfection and total detachment. One of an elite group of assassins, Bishop may be the best in the business - with a unique talent for cleanly eliminating targets. When Harry McKenna, his close friend and mentor, is murdered, Harry's son comes to him with vengeance in his heart and a desire to learn Bishop's trade, signaling the birth of a deadly partnership.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Two young men attempt to prove they committed the perfect murder by hosting a dinner party for the family of a classmate they just strangled to death.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
After the death of his boss's wife, a young engineer faces the sudden psychological metamorphosis of his own wife, seemingly possessed by the soul of the deceased...
The boyfriend of an abducted woman never gives up the search as the abductor looks on.