Sages et rebelles

Birth: it's a miracle. A rite of passage. A natural part of life. But more than anything, birth is a business. Compelled to find answers after a disappointing birth experience with her first child, actress Ricki Lake recruits filmmaker Abby Epstein to explore the maternity care system in America

Nearly 10,000 children in Britain visit a parent in prison every week, BAFTA-nominated filmmaker Catey Sexton gives a humane and sensitive insight into their lives in this documentary made for Children in Need (1980).

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

Picturesque scenes of land girls gathering hay on an Essex farm during WWI.

Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

An intimate look at the evolution and impact of women emcees and rappers, told by the trailblazing artists who helped create a musical and cultural empire.

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.