In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Moana 2 2024 - Movies (Mar 7th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
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CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
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Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
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Agents 2024 - Movies (Mar 6th)
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Around the World in First Class - (Mar 8th)
Know Where to Hide - Wie niet weg is… - (Mar 8th)
SAKAMOTO DAYS - (Mar 8th)
Taskmaster - (Mar 8th)
The Weakest Link - (Mar 8th)
Britains Got Talent - (Mar 8th)
Alex Witt Reports - (Mar 8th)
Mafia- Most Wanted - (Mar 8th)
Would I Lie to You - (Mar 8th)
Crimewatch Live - (Mar 8th)
Rogue Claimers - (Mar 8th)
Solo Leveling - (Mar 8th)
Ancient Aliens - (Mar 8th)
The Chase - (Mar 8th)
The Fifth Estate - (Mar 8th)
The Young and the Restless - (Mar 8th)
Lets Make a Deal - (Mar 8th)
The Skinny Jab Revolution - (Mar 8th)
The Bold and the Beautiful - (Mar 8th)
The Price Is Right - (Mar 8th)
"Levante" won Canal Futura's annual documentary competition in 2014 and was filmed in Brazil, Mexico, Japan, Gaza and Hong Kong. It first aired at 22pm on the 25th June on Canal Futura. The film is about inspiring people around the world who use technology to speak out against injustice such as Filipe Peçanha from Midia Ninja who used the Japanese Twitcasting app to broadcast the Brazilian protests of 2013 from his smartphone, Noor Harazeen from Palestine who created the first English-speaking youtube news channel in Gaza, and Howard Kong from the Apple Daily newspaper in Hong Kong who used a drone to film the conflicts between police and protesters in 2014.
A reflection on the concept of invisibility, narrated by women who clean public spaces in Mexico City. Combining documentary, fiction and still photography, the film is an intimate mosaic of testimonies and experiences that highlight the precariousness of work in the cleaning industry, in a world where subcontracting rules.
A powerful documentary about five women whose lives have been irrevocably altered by the Rwandan genocide. With the country left nearly 70% female in the wake of the massacres, "God Sleeps In Rwanda" is a lucid portrait of the much larger change affected by women in the East African country.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.
A closer look at the underestimated role of women in the current Whisky industry in Scotland
At 25, Christian begins to remember the rape he suffered as a child, so he decides to go to see the sea for the first time. The trip is traversed by the ghosts of the past, an uncertain present and a painful letter that tries to reveal the presence of a rapist.Christian tries to document his process to overcome his crisis and strengthen his relationship with Marlene, his mother. The two are not only closely linked by blood ties, but also by the silence that their bodies have kept for years.
On December 8, 1983 a fifteen year old Jewish boy from the city of Haifa was kidnapped, murdered and sexually abused after his death. Five Arabs who worked in in the neighborhood’s supermarket were convicted and imprisoned for life and 27 years. The conviction was based only on the defendants’ confessions and reconstructions. Seventeen years after their conviction, the five defendants still claim they are innocent. "The Reconstruction" follows the police investigation and juridical process step by step. The heart of the film is the original videotaped reconstructions of the murder performed by the defendants in which they admit their guilt.
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
Living in France, a Rwandan psychotherapist committed to rebuilding her country returns this time to learn to play the inanga, the traditional zither. A moving journey through a festive Rwanda, in search of her cultural identity.
Amani is 31. When he was an infant, he survived the genocide against Rwanda’s Tutsi population. Three decades later, Amani has set up an organisation in Nyamirambo, one of the more economically impoverished districts of the country’s capital, Kigali. It employs creativity, artistic practice and performance to grapple with poverty and generational trauma – acknowledging that deep-seated ideologies can easily foment prejudice and create an environment that proved so catastrophic in the past.