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Juror #2 2024 - Movies (Jan 28th)
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Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
The One Show - (Jan 30th)
The ReidOut with Joy Reid - (Jan 30th)
All In with Chris Hayes - (Jan 30th)
Murder Under the Friday Night Lights - (Jan 30th)
Expectant father "Justin" (Nicholas Hoult) is slated for jury duty and so duly sets off for the selection hoping that he doesn't get picked and that he can return to his wife to await the arrival of their bundle of joy. Sadly, though, they like the cut of his jib and selected he is. It's a murder trial with a man accused of brutally killing his girlfriend after a bar-room brawl. Prosecutor and aspiring DA candidate "Faith" (Toni Collette) thinks it's all in the bag, but defence attorney "Resnick" (Chris Messina) isn't so sure. As the proceedings commence, our second juror gets a bit of a shock. Some of this evidence is proving startlingly evocative. The more he hears of the incident, the more he begins to realise that his job as a juror might prove to be much more personal than he anticipated. With pressure from his wife and his fellow jurors to get it all over with, he has to fight to try and find a way to more fully explore the evidence and luckily he manages to convince one of their number "Harold" (J.K. Simmons) to help him. As the they dig deeper, what might they find and what might they incentivise the prosecutor to find too? I think Hoult holds this together well, and as the audience becomes better briefed on just who did what to whom, director Clint Eastwood still manages to keep the film engaging and tensely paced leaving the audience with quite a moral dilemma as truths start to out and sympathies become severely tested. Simmons supports well, as do Collette and Messina but Kiefer Sutherland appears too sparingly to make much impact on the story so it really is left to us and "Juror #2" to come to terms with what happened and with our own consciences.
'Juror #2' is very, very good! Clint Eastwood just keeps pumping out movies, gotta respect the hustle. As someone who has seen every film of his, evidently now including this 40th (and final?) directorial piece, I'd say that this is one of his best works. He has done much better too, of course, but this 2024 release is impressive enough. It's a clear Eastwood picture, so obviously made by someone from the old days as opposed to something that is undoubtedly made by today's market. It's supremely crafted in most areas, it relies of its fair share of convenience and isn't perfect (e.g. some, only some, of the dialogue is iffy). However, the attention-hooking plot means things never get dull. It does feel like a two hour movie, but I don't necessarily mean that negatively - again, I was never uninterested in what I was watching. The cast are excellent. They are spearheaded by Nicholas Hoult, someone I've found quite meh in other productions but here he merits praise. Chris Messina and Toni Collette are enjoyable in their respective roles, while in more minor parts the likes of J. K. Simmons, Amy Aquino and Cedric Yarbrough are solid. Another plus, away from the faces, is the very pleasing score, so credit to Mark Mancina for the music. *insert joke here about how I missed Juror #1, yet anticipating Juror #3*
"Juror #2" unfolds in an unhurried yet absolutely fascinating way and it is utterly spellbinding to watch Justin Kemp (juror #2) as he slowly begins to realise he is becoming increasingly trapped with each passing moment and he has no clear options open to him to effect an escape from his predicament and no way to avoid ruination. The film really manages to achieve moments of quiet excitement, especially when more damning pieces of evidence begin to emerge like so much debris rising to the surface of a lake. It is engrossing as the film gradually begins to narrow the focus down to concentrate on Kemp and Faith Killebrew. They both know the true set of circumstances surrounding the night in question and now one of them must step forward and sacrifice the other in order for justice to be done or else the consequences of inaction will be the terrible and corrosive burden of guilt surrounding the crime in question which will eventually and inevitably consume and destroy them both. This is a uniformly excellent film on every level which is gripping, interesting, and extremely impressive throughout.
"_Maybe... I didn't hit a deer._" I have so many questions, but can say this did keep me entertainined until the very end. And then it ends in a way that has me asking even more questions!
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
The lives of three men who were childhood friends are shattered when one of them suffers a family tragedy.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
When Claire Spencer starts hearing ghostly voices and seeing spooky images, she wonders if an otherworldly spirit is trying to contact her. All the while, her husband tries to reassure her by telling her it's all in her head. But as Claire investigates, she discovers that the man she loves might know more than he's letting on.
A sexual assault victim, unjustly tried for the attempted murder of her attacker, is defended by a retired lawyer who challenges India's rape culture.
Out drinking one night after a fight with her boyfriend, three men brutally rape Sarah Tobias in a bar while people watch and cheer. District Attorney Kathryn Murphy takes the case; however, she allows the rapists to receive a mild sentence. A distraught Sarah decides to seek punishment for the men who witnessed and encouraged the rape. To get justice, Sarah must take the stand and revisit the night of her attack.