Secrets of Sacred Architecture

Les Prêtres is a musical group composed of two French Catholic priests and a Vietnamese seminarian. The group's name originates from and is inspired by the Irish group The Priests. Spiritus Dei is their first work that includes songs and covers such as : L'Envie D'Aimer , Amazing Grace , Heal The World and Alléluia (Hallelujah)

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Vladimir 518, uncompromising rapper, artist, stage designer and activist, is a rare phenomenon, who not only writes books, but publishes them as well. Today also a respected authority primarily on pre-1989 architecture, he has written not only a major publication on the subject, but also the story for two audiovisual works treating the same theme, which were shot by Jan Zajíček, renowned director of music videos. In addition to the recent TV series we have the eagerly anticipated feature-length film which, through its fascinating and impressive exploration of Czech and Slovak architecture of the latter half of the 20th century, offers exclusive insight into extraordinary buildings and unique individuals living below the Tatra Mountains. Karel Och (kviff.com)

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)

In this dynamic and dramatic short film, an African American veteran takes us on an extraordinary journey through his life. From a chance visit to the Pentagon, to growing up in a vibrant integrated neighborhood, his story is one of resilience and inspiration. Fueled by the determination to seize educational opportunities, he enlists just in time to experience the racial divisions of his era before Truman desegregates the military. Thrust into the brutality of the Korean War, the weight of combat becomes an indelible part of his soul. Returning home, he embarks on a new path as an architect and discovers unexpected connections in far-off Pakistan. As his family expands, his sons reflect on the man who raised them and the legacy he instilled. This film unearths the essence of the Black experience in the early 20th century, paints a vivid portrait of the Chosin Reservoir, and unravels the intricate tapestry of race, family, and personal growth.