War of the Worlds Extinction 2024 - Movies (Mar 28th)
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"Nick" (Sam Waterston) lives in a cottage on the edge of the estate owned by the enigmatic "Gatsby" (Robert Redford) and is fascinated by the man. He has old money wealth and regularly hosts lavish parties for strangers whom her barely knows and to which he rarely bothers to go. "Nick" is unexpectedly invited to one such party and then to meet the man himself who isn't quite what he was expecting. This is the start of an unusual friendship that introduces him to a life of shallow profligacy, duplicity and some fairly ghastly individuals. "Gatsby" has taken a shine to "Daisy" (Mia Farrow) who is married to the rather brutish "Tom" (Bruce Dorn) and much of the rest of this lengthy period melodrama follows the intricacies of the new relationship between these two men, and of the latter man's increasingly dubious lifestyle that isn't quite playing out as "Nick" anticipated. Now this adaptation is an almost literal one of F. Scott Fitzgerald's novel - and that might have worked were we in a theatre. We are not, though, and what we are presented with here is a wordy and frankly rather sterile and plodding character study. Too much reliance is placed on the aesthetic elements - the costumes, sets, lavishness of the parties; indeed the imagery is gorgeous. It's supposed to be a love story, but the purported relationship between Redford and Farrow just doesn't resonate. I never really understood why she was so acclaimed in the first place - her performances were always rather hit or miss. The narration from Waterston also becomes a little too flat and the contrasting existences of the fabulously wealthy and the subsistence poor is hardly developed at all. My star of the film is Karen Black's "Myrtle" - possibly the only persona here that exudes anything like a sense of personality as she juggles her marriage and her affair. This is a nasty story about selfish and thoughtless people, but this iteration simply fails to capture that emotion, or - indeed - any other emotion either. Lots and lots of style, but it's lacking soul.
Chronicles the rise and fall of legendary blues singer Billie Holiday, beginning with her traumatic youth. The story depicts her early attempts at a singing career and her eventual rise to stardom, as well as her difficult relationship with Louis McKay, her boyfriend and manager. Casting a shadow over even Holiday's brightest moments is the vocalist's severe drug addiction, which threatens to end both her career and her life.
Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.
A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.
Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.
After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood cancer. Slowly, they fall in love, but they always know their love cannot last because he is destined to die.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
In 1920s China, 19-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Told mostly in flashbacks, the film tells the story of Pamela Digby Churchill Hayward Harriman, one of the greatest and probably most famous courtesans of the twentieth century. While not showing her childhood, first marriage to Winston Churchill's son, or most of her affairs, we do get to see her affair and eventual marriage to Broadway producer Leland Hayward, and then her marriage to politician Averell Harriman, with whom she had an affair while both were married to others in World War II. We also see her as ambassador to France during her last years, and her death in 1997. While some (mostly her lovers) adored her, others (mostly her son and her husbands' children) hated her.