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I have to believe I saw this movie a year or two after it came out, but I had no feelings of deja vu as I watched it, so perhaps not. I usually have very little patience for movies about writers because I am one, and I get tired of them bringing up writers’ block, which I don’t believe exists, or else they have the character become wildly successful in record time. There are a lot of struggling actresses and musicians and waitresses in movies, but writers often get fast-track succes. Anyway, I wander off topic. I enjoyed the movie with its range of quirky characters, and minor plot twists. There are only a couple of two-dimensional characters; the rest are given depth, even a few who don’t have a lot of screen time. It shows what can be achieved with a good ensemble cast and a decent script.
"Prof. Tripp" (Michael Douglas) hasn't his troubles to seek. He hasn't been able to follow up on his first novel for almost seven years - much to the chagrin of his agent "Terry" (Robert Downey Jr); his third wife has left him and he is about to father a child with his (married) boss (Frances McDormand) at the university where he works. His writer's block isn't really much helped by the omnipresence of his star pupil "James" (Tobey Maguire) nor by his increasingly debilitating pot habit. It's the man's mid life crisis from hell, but can he navigate a way out of this and keep some semblance of his self respective and, maybe even his career! Meantime, his protégé is having a few issues of his own - not least because he accidentally shot the principal's dog and he is the object of the amorous attentions of the ambisextrous "Terry" too! There's quite a decent dynamic between Douglas and Maguire as both men have to come to terms with their own problems and with their growing reliance on and frustration of each other and there is plenty of witty dialogue that is more complexly structured and subtly potent at times. The narrative is quite tightly packed into just one weekend, and that helps keeps the momentum going as the characters develop in quite a plausible - and not always likeable - fashion. Luckily, the one-dimensional Katie Holmes appears only sparingly as the plot thickens to a nicely bubbling stew at the end. It's a decent reminder that Douglas could act, given a strong story and script, and he shows us that well here with this superior ensemble drama.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles – even if just for a moment – by dreaming up little numbers to the rhythmic beats of her surroundings.
The tangled affairs of George, Prince of Wales, leading to his illegal marriage to commoner Mrs. Fitzherbert. Also portrayed is the conflict between the future George IV and his father George III.
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
Scooby-Doo and the gang participate in a toy store's holiday parade where they discover the abandoned haunted clock tower with a troubled past. A sinister snowman haunts the streets and accompanied with a large blizzard, threatens to close down the toy store for good.
On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.
Sin Destino follows the life of a 15 year old Mexican boy, Francisco, as he struggles to survive on the streets. His primary source of income is money raised by prostituting himself to men for sex, and the film implies that this learned behaviour has arisen as a result of a contact with a single man when Francisco was 9 years old. This man, Sebastien, is an "artist" who initially claimed to want to photograph the boy, but it is clear that their relationship at one time extended far beyond that of photographer/model.
A modern version of the classic Dickens tale, in which Eddie Scrooge is a mean loan shark who sees the error of his ways.
Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.
After interning her insane husband in a remote psychiatric hospital, book editor Helga Pato returns home by train, where she meets a mysterious man who identifies himself as a psychiatrist.
The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.
