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**An excellent film.** I was really curious to see this movie, because as far as I can remember it was the first Chinese movie I saw. Before I saw it, I read a little about it, and I was quite impressed to see how the film did well in the West, and managed to infuriate Chinese Communist censors. However, I fear that I was not fully prepared for what awaited me. In fact, the film is truly brutal, in every sense of the word. Director Kaige Chen took a well-known and respected book for his film, but put all the focus on an almost visceral realism. The film is an epic that spans a large period of time, between 1924 and 1977, that is, very troubled years in Chinese history, which includes the entire period of war against Japan and the invasion of Manchuria, as well as the cultural revolution. Maoist. At the same time, it reveals the backstage of Cantonese opera, a traditional Chinese cultural style. In the film, two young apprentices live a cruel and unhappy life at the opera school, with daily beatings and various abuses, including sexual abuse. One of them will play the female characters in the stories, like a transvestite, since women are not allowed on stage. Throughout the film, there is a lot of confusion between life and art, and we often feel that these actors are mixing things up, living their characters in real life and transposing their real life to the stage. I don't know any of the actors in the cast, but I really liked their overall work, and the way they play opposite each other. The film also has extraordinary scenarios, full of realistic details, such as the construction of buildings, the lanterns. The actors' costumes also deserve applause, especially the characters in the opera, with all those fabrics and those strong face paints. Finally, a word for the wonderful cinematography, excellent opening credits and soundtrack.
An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.
Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.
Patrick, 20-years-old, lives in Paris with his older boyfriend. He runs a teenage pornography website, which results in a prison sentence following a raid at a party. Mário, 8-years-old, was kidnapped 12 years ago in Portugal. Patrick and Mário are the same person with two conflicting identities: a life in Paris filled with parties, drugs, and promiscuity and a new rural life in Portugal, where he feels obliged to reconnect with a broken family.
Singing and dreaming together, a talented singer-songwriter and a same-aged keyboardist add harmony and love to each other's lives.
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Grady is a 50-ish English professor who hasn't had a thing published in years—not since he wrote his award winning 'Great American Novel' 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Two boys, one girl, one night in the Northeast of Brazil. A morning of passion and secrets revealed.
A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.
Teenage dropouts Adam and Tommek pass their days hanging out and drinking in their grim housing complex, but as grinding boredom combines with Adam's need to prove himself and Tommek's penchant for petty crime, the two make a bet that plunges them into shocking and sudden violence.