LiveOnce Instructional Lap Dance and Strip Tease

When our loved ones lose their strength and can no longer support us, it’s our turn to support them, and each other. Inspired by Tim's personal experiences with their mother's cancer diagnosis and treatment. A solo dance x spoken word film exploring family illness.

In the far-off future of 2001, a young boy from outer space lands on earth inside a flying peach. The boy (named Apple) is adopted by a Catholic priest, but soon disappears. Three schoolgirls decide to search for him, and soon find evidence that he is being held captive in a trendy dance club. What is the club owner doing with him, and will his adopted father ever see him again?

80,000 Thoughts is a poetic autobiographical and fictional film about testing oneself and one's possibilities—sexually, gender-wise, and bodily—conveyed through dance, music, poetry, and images. It is also a personal story about the narrator's traumas and memories, her love affair and one-time crush, God, drugs, missing her mother, and violence and abuse. Director Michele Mwikali Lauritsen deftly employs crackling prose to position her film in the impossible—and refreshing—position between the gallery-smart contemporary art of the time and a more accessible and popular format.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

In this musical short, a man tries to woo the manager of a dance troupe.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Featuring four work outs: Higher Intensity Step, Lower Intensity Step, Kickbox, and Bootcamp.

In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

Actors from Warsaw's garden theatres dance a traditional Polish dance, cracovienne.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.