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Moira Shearer is just excellent in this fine example of the cinematographer and choreographer's arts - all under the able and inspired direction of Michael Powell and Emeric Pressburger. She is the aspiring ballet dancer "Victoria" who must train under the positively brutal rule of acclaimed tutor "Lermontov" (Anton Walbrook). This maestro, however, expects undiluted devotion and so when this young woman also falls in love - with composer "Craster" (Marius Goring) she finds herself out of favour. Facing the toughest of choices, she chooses love - but even married, she is still torn. When she returns a few years later to visit - her new husband having now completed the eponymous ballet - the imposing "Lermontov" proves he can still pull her strings and she faces an heart-rending choice. P&P have created a masterpiece of rich and colourful cinema. They have turned a relatively simple Hans Christian Anderson story into a maelstrom of love, ambition, power, control - you name it, it features here somewhere. Emotions run high, cruelty runs rife and all under the baton of Brian Easdale who has created his own "Ballet of the Red Shoes" score. Both Walbrook and Goring were underestimated actors, in my view. They had an adaptability that demonstrated a surety of foot as their characters illustrate traits that at best celebrate humanity, at worst denigrate it badly. The dancing is frequently mesmerising with the media of theatre and cinema merged seamlessly to give us a really breathtaking experience. I felt vested in the fate of this young woman, I felt vested in the nasty Lermontov - which would I have chosen? This is a great film, marrying the vivid imagination of a timeless creative source with a visionary and highly entertaining ensemble adaptation. Recently staged by the Sadler's Wells Company of Sir Matthew Bourne, but good as that was - this still knocked spots off it.
Private eye Varg Veum is on a routine mission searching for his client Jonas Andresen's stolen car. The car is found having been used in a brutal robbery and not long after that the client himself turns up dead.
An unusual explorer named Gum and his kindly niece adopt three orphans - Pauline, Petrova and Posy - and raise them as sisters in 1930s London. But the girls must fend for themselves when Gum doesn't return from one of his adventures. Together, they nurture their passions for acting, aviation and ballet in this charming TV adaptation of Noel Streatfield's novel.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
He is the talk of the town, the most romantic figure of decadent Parisian nights. When his lungs start bleeding, Chopin knows his days are numbered. Composing becomes his only obsession. The ticking clock rushes him to revolutionize music.
Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.
Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again.
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
A young, bare-knuckle boxer Craig moves from Blackpool to London, where he falls for a twenty-something music producer, Matt. Trouble ensues when shy, awkward Craig tries squeezing into Matt's glib lifestyle and Matt's scheming boss tries to break up the couple.
An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
Izi's close to escaping The Kitchen, one of London's last remaining housing estates. But when young Benji enters his life, he faces some hard decisions.
