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Moira Shearer is just excellent in this fine example of the cinematographer and choreographer's arts - all under the able and inspired direction of Michael Powell and Emeric Pressburger. She is the aspiring ballet dancer "Victoria" who must train under the positively brutal rule of acclaimed tutor "Lermontov" (Anton Walbrook). This maestro, however, expects undiluted devotion and so when this young woman also falls in love - with composer "Craster" (Marius Goring) she finds herself out of favour. Facing the toughest of choices, she chooses love - but even married, she is still torn. When she returns a few years later to visit - her new husband having now completed the eponymous ballet - the imposing "Lermontov" proves he can still pull her strings and she faces an heart-rending choice. P&P have created a masterpiece of rich and colourful cinema. They have turned a relatively simple Hans Christian Anderson story into a maelstrom of love, ambition, power, control - you name it, it features here somewhere. Emotions run high, cruelty runs rife and all under the baton of Brian Easdale who has created his own "Ballet of the Red Shoes" score. Both Walbrook and Goring were underestimated actors, in my view. They had an adaptability that demonstrated a surety of foot as their characters illustrate traits that at best celebrate humanity, at worst denigrate it badly. The dancing is frequently mesmerising with the media of theatre and cinema merged seamlessly to give us a really breathtaking experience. I felt vested in the fate of this young woman, I felt vested in the nasty Lermontov - which would I have chosen? This is a great film, marrying the vivid imagination of a timeless creative source with a visionary and highly entertaining ensemble adaptation. Recently staged by the Sadler's Wells Company of Sir Matthew Bourne, but good as that was - this still knocked spots off it.
A boy's Bar Mitzvah looks set to be a disaster when it coincides with the 1966 World Cup Final.
A vivid dream exploration of Moira Shearer's heart and mind, just before and after she agreed to star in Powell and Pressburger's beloved cinema classic "The Red Shoes", a decision that would change her life forever. Celebrating the original film but also shining a light on the uncanny parallels between Moira Shearer and her tragic alter ego Victoria Page. Revealing a complex and defiant young woman who ultimately chose life over fame.
The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.
The heartbreaking but hopeful tale of Danny Kenny and Peggy Nash, two sweethearts who meet and struggle through their impoverished lives in New York City. When Peggy, hoping for something better in life for both of them, breaks off her engagement to Danny, he sets out to be a championship boxer, while she becomes a dancer paired with a sleazy partner. Will tragedy reunite the former lovers?
An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
British reporters suspect an international cover-up of a global disaster in progress... and they're right. Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices and have caused the orbit of the Earth to alter, sending it hurtling towards the sun.
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice.
Inspired by Lord Byron’s epic poem, this jewel of the repertoire boasts a lavish production complete with a shipwreck, pirates, and some of ballet’s most renowned scenes.
When writer's block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly's college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride's sister - only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?
In WOODSMAN, young couple Alan and Lottie make do with what they've got: each other. After an accident has left Lottie bedridden and nonverbal, the two of them must find new methods to communicate, all while something enigmatic calls out to Alan from the other side of the nearby lake.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
