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This movie was unexpectedly great and put Pineapple Express to shame. I have a new found respect for Danny McBride. He took it to a whole other level and stole the show. Nuff said!
**Plot: 10/20** The film starts out with Seth Rogen waiting at the airport to pick up his pal Jay Baruchel. It's basically a good ol' buddy get together as they go back to Seth's house where he has a couple of welcoming gifts awaiting and then they proceed to get high. Seth convinces Jay to go to Franco's party with him so he'll have a chance to get to know everyone better. After being introduced to everyone, they both leave to make a quick stop at a local convenience store when the city starts going abrupt and light beams begin appearing from the sky. From there, both of the actors rejoin the party house in which almost all of the party goers fall into a giant fiery hole that has formed outside of the house. The cast practically spend the rest of the movie wasting time inside the house together, fighting demons, and then trying to get to heaven. It's not the most exciting plot in the world, but it makes for some good comedy. What I found the most interesting was that they never try to fix the problem on Earth. Even towards the end their prime goal is just to get to 'heaven' and escape the apocalypse down below. **Rewatchability: 05/15** Although I've actually watched this one twice (once regular and once with commentary), I still give it a 05/15 in this category. The problem is I just don't see myself coming back to this one unless it's playing on the TV and I'm really bored. I do, however, recommend that this movie gets watched at least once. While it's over the top and not meant to be taken seriously in the first place, I guarantee you'll get at least a laugh or two out of it. **Acting: 15/20** Since the actors are actually just portraying magnified versions of themselves it works out really nicely. The scenes with Michael Cera are especially hilarious. At one point in the movie he sneezes out cocaine all over Christopher Mintz (guy who played McLovin in Superbad). Nobody felt out of place and even the add-in actors such as Rihanna and Mindy Kaling did a pretty good job. **Audio Production: 10/20** The soundtrack comes in heavy with music by the Backstreet Boys, Black Sabbath, Cypress Hill, Def Tones, Psy, and Whitney Houston. This list includes a lot of big names, but it seems like most of the soundtrack was just thrown in. The Backstreet Boys make a cameo at the end of the movie when the cast is in heaven throwing a party. Special effects are done well, but nothing really stands out. **Visual Production: 15/20** The majority of the film takes place in a ficticious Los Angeles at James Franco's house. All of the visual post process effects and scenes are really well made. Listening to the commentary you can find out that most of the filming actually took place in New Orleans at an old coffee warehouse. Even though most of the film was filmed inside of the same building, it actually works out nicely with the storyline.
**The following is a long form review that I originally wrote in 2013.** Sorry for the double 'self' here, I really couldn't think of another word) Self-portrayal in film is the biggest form of self-gratification since the invention of masturbation. And no movie has ever wanked harder than _This Is The End_. Let me give you the list: * James Franco * Jonah Hill * Seth Rogen * Jay Baruchel * Danny McBride * Craig Robinson * Michael Cera * Emma Watson * Mindy Kaling * David Krumholtz * Christopher Mintz-Plasse * Rihanna * Martin Starr * Paul Rudd * Kevin Hart * Evan Goldberg * Jason Segel * Six More but I feel listing them here would entail spoilers ALL play themselves. That and the non-stop dick imagery/conversation in the film, make for one goddamn aggrandised bukkake-fest. And you know what? I like it like that. All over me. Ahem. On track. I was super-popular and went to see this film by myself. But even so I enjoyed it. I really am not in the least bit fond of American Comedies. There are exceptions to be sure, but overall I feel it's best to just give them a wide berth. I was drawn to this piece though because it was reeled as a "Horror/Comedy" (and I mean, what Horrors aren't?) and also because it had James Franco playing James Franco (_Rise of the Planet of the Apes_). And I'm so very glad I let this be one of those exceptions. I quite honestly put it up as my top movie of 2013 so far. Which is more surprising to me than anyone else. To be fair, it makes reference to my all time favourite film. Ever. Watch _This is the End_ and if you can pick the moment, I'll give you a prize. I did, however (on top of aaallll my other biases) feel as though this film really was targeting hardcore movie-goers/aficionados/critics/filmmakers/writers/etc. and I fit in to... Well at least most of those categories. I'm reading over this review and seeing what a bastardised clusterfuck it is. But that's because I just reallyreallyreally want you all to go out and watch it! And I feel anything else I can say would be all spoiler-y. Look, it's the sort of thing I usually would hate, and I am absolutely in love with it. Pleeeaaase go watch this movie with a friend and tell me what you think. I might get back to a more levelheaded review after a DVD release. 80% -_Gimly_
Mediocre middle hinders. 'This Is the End' adds some uniqueness alongside the standard apocalyptic fare, the mass cameos are amusing and the fact that the characters are playing exaggerated versions of themselves is a good touch. The apocalypse elements are done well enough, though the bits at the start are where it peaks. The middle of this movie dragged a fair bit for me, I didn't really find it all that comical; the beginning, again, has the most amusement, as well as a fun end piece featuring that Floridian boyband. This is based upon a short film, so I guess it was always likely to feature lull moments - after all, Seth Rogen type flicks do tend to play off quite thin premises anyway. Speaking of Rogen, he doesn't actually stand out that much here, surprisingly. To be honest, none of the cast really do all that much, come to think of it. I wouldn't even say there is a star performer onscreen, which is disappointing given the big names involved. All in all, not necessarily a terrible picture but it is just not one I can say I liked, all things considered.
Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.
Captain Jack Sparrow works his way out of a blood debt with the ghostly Davy Jones to avoid eternal damnation.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.