Fifty Times Rock

Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.

Struggling musician Nomi accepts a last-resort job from her overachiever best friend Mara: mentoring misfit campers, the “Floaters,” at their childhood Jewish summer camp. As the camp struggles to survive amidst competition with a longtime rival, Nomi, the Floaters, and Mara must overcome their differences to bring the community together and save the camp.

Midori is a high school student of a brand new school. Elected as a member of the first student body government, Midori and the rest of the officers decide to put together a gakuen-sai-a school festival. Midori likes Akira, who happened to help her out during the election speech (she fell on stage, with some more embarrassment). She's excited about working for the festival, especially since she gets to work with Akira. She tries to be a match-maker for Mamiya-san (Mami-ryn) and Sudoh-kun during the process too.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

"Marynarka..." is a story of a painter who went on a cruise on a navy ship, framed by a musical film. It features Anna German, Piotr Szczepanik and the Szczecin band Filipinki.

When a cute, wise-cracking alien from Proxima B named Chuck crash lands in their backyard, the Jankins family must work together to save their new fuzzy friend from a dangerous array of weirdos that show up in hot pursuit. The stakes couldn't be higher for Chuck, the Jankins, and maybe even all of planet Earth.

After ruining half a dealer's supply, two high schoolers must sell the remaining product for double.

Ten-year-old Ashish falls head-over-heels in love with his classmate, Srushti. While he grows up, the country goes through several socio-economic changes.

With an actor who can't perform and a dissatisfied crew, a film director tries to create an emotional scene for his film - but the egos involved present true obstacles.

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.