Rush

Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

Shortly after Shinnosuke Tomari (Ryoma Takeuchi), Kamen Rider Drive, eradicates the Earth of the 108 Roidmudes, he is put on a special assignment to investigate paranormal activity elsewhere in the city. He heads to the temple Daitenkū-ji to speak with witnesses Akari Tsukimura (Hikaru Ohsawa) and Onari (Takayuki Yanagi), but as he is interrogating them, a Gamma appears and steals an Eyecon from the temple, prompting Takeru Tenkūji (Shun Nishime), Kamen Rider Ghost, to fight it, even though to Shinnosuke it seems that Kamen Rider Ghost is fighting no one at all as he cannot see the Gamma

When four student filmmakers are paid half-a-million dollars to look for ghosts on Boney Island, they assume it'll be the easiest weekend of their lives. All except Madeleine, whose belief in ghosts puts her in direct conflict with the other skeptical slackers. It doesn't take long for the others wonder if it'd be easier (and more lucrative) to oust her out of the project. But as tensions and temptations of greed boil over, a paranormal presence, unseen and unnoticed, begins to grow stronger and stronger, forcing the group to violently and brutally confront their own disbelief, one way or the other.

When life crumbles around Melanie and her family, it's going to take strength, resilience and the dream of a better life overcome what lies ahead.

Moogai is Bundjalung for ‘ghost’, and it is precisely a moogai that intrudes on the quiet home life of Sarah, Fergus and their newborn baby.

Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.

Even though Sam Wheat, the successful investment counsellor, still finds it difficult to express his deeper feelings for her after all these years, his young potter girlfriend, Molly Jensen, is the love of his life. However, a curious case of a systematic discrepancy will prepare the ground for a hideous urban homicide in one of Manhattan's dark alleys, trapping, seemingly forever, the unfortunate deceased's immortal soul in the realm of the mortals. With the condemned spirit unable to interact with the physical world-and as Molly's life, too, is in grave danger-Sam will have to turn to the spiritual medium, Oda Mae Brown, to warn and protect her. Can Oda and the ghost settle the unfinished business in time?

Luana Lepou (Salina Vai) is a brilliant 15-year-old. The recent death of her father left her in the care of her mother, Susana (Frances Talataiga) and older sister, Sina (Auau Faleafine). Sina seems to have found the love of her life in her sweet, loving boyfriend, Limu Lualua (Joseph Iosua) who proposes marriage to Sina. After exchanging vows, Limu moves into the Lepou household with Sina, in bliss, until Sina notices a change in her newly wedded husband's behavior. Limu begins to come home late and drunk, fighting and arguing. Sina complains to her mother, who tries to patch things up. Unfortunately for young Luana, Limu turns his drunken attention on her, making suggestive gestures, and threatening her if she tells anyone. She struggles with the shame of her sister's husband's attention. Luana cries out for help, but to her dismay and frustration, the family does not believe her. With no help, Luana is forced to keep this a secret. Inspired by a true story.

Just one enchanted jewel stands between earth and an army of evil spirits led by the devious ghoul, Phears. With the help of his new girlfriend and ghost pals, Max Doyle races to find the crystal and save the world.

Two sisters and their male counterparts struggle with the negative influences of their youths over a 50-year period.