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Just because you wear those sergeant's stripes doesn't mean you ain't gonna die. Tigerland was the name of a U.S. Army training camp located at Fort Polk, Louisiana. Tagged as the second worst part of the Earth, it was a recreation of the Vietnamese jungle and was used to prepare American soldiers for the hellish terrain they were soon to be fighting in. Directed by Joel Schumacher, Tigerland stars Colin Farrell as Private Roland Bozz, a reluctant recruit to the war effort who upsets his superiors by having a canny knack for exploiting loop holes in the rule book. However, it's evident that Bozz has leadership qualities, but can the officers convince him he is born to lead? By the time of Tigerland's release, the Vietnam movie had apparently run its course. The announcement that Joel Schumacher was to delve into the conflict for his next movie was met with less than enthusiastic responses. This was after all the director who had not too long prior reduced the once darkly watchable Batman franchise to comedy campy ham overdrive. Alarm bells were further starting to go off when it was revealed that it was to be a short low budget shoot of 28 days, with a cast of unknowns and filmed in grainy 16 millimetre. Yet two things were forgotten by his many detractors. One was that Schumacher had showed himself capable of guiding a young vibrant cast to high levels of watch-ability (The Lost Boys), and two, that he had made Falling Down in the early 90s, thus tricky and darker edged material was not beyond him. Tigerland is a fine film, there is no actual conflict to observe other than the interactions between Bozz, his fellow squadies and his superiors. This is more boot camp drama than a film about military engagements. But the impact is much the same as our group of young men prepare for a fate that doesn't exactly have favourable odds; their respective reasons for being there in the first place containing varying degrees of bravado or disbelief. To which, much to his initial bemusement, Bozz simultaneously becomes a beacon of hope to many and a figure for revilement. The out-shot of this is that Tigerland winds up an expertly crafted movie, one that is propelled by great acting and one that quietly sneaks up on you and cloaks you in sadness. Schumacher is not the sole reason for why the film works so well though, he had some quality help. Ross Klavan and Michael McGruther's screenplay rises above the character clichés that exist in every army training camp based movie. Helped enormously by Klavan drawing on his real life experiences in the army, Tigerland doesn't hurtle towards its climax (a climax that is understated and poignant), it takes its time, characters are formed and with the then unknown Farrell on stupendously bewitching form, it's as engaging as a Vietnam film gets. This in spite of the grim look of the piece as Matthew Libatique's cinematography strips away vibrant colours and uses murky greys and greens to put the viewer right in there with them at boot camp. The look, the feel and the story all pull together nicely, making Tigerland fit to be mentioned in the same breath as those popular Vietnam movies from the previous decades. 8/10
In the winter of 1978, under Chile's military regime in Santiago, Raúl Peralta, a lonely and disabled architectural model maker, lives a quiet life with only his ailing mother and a pet canary for company. His routine is upended by the arrival of new neighbors whose sinister activities seem to hide dark secrets. Desperately clinging to the last remnants of his sanity, Raúl’s life increasingly intertwines with Guillermo, a mysterious man in dark glasses. As reality unravels, the echoes of Raúl's past collide with the horrors of his present in a psychological thriller that leaves behind deep, indelible scars.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.