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Dexter- Original Sin - (Jan 31st)
Scamanda - (Jan 31st)
Southern Hospitality - (Jan 31st)
Malta- The Jewel of the Mediterranean - (Jan 31st)
Dateline- Unforgettable - (Jan 31st)
Ask This Old House - (Jan 31st)
Impractical Jokers - (Jan 31st)
This Old House - (Jan 31st)
Shoresy - (Jan 31st)
The Rachel Maddow Show - (Jan 31st)
Divided by Design - (Jan 31st)
The Last Word with Lawrence ODonnell - (Jan 31st)
Found - (Jan 31st)
Miss Shachiku and the Little Baby Ghost - (Jan 31st)
Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
I hadn't seen this film in decades, but a rewatch showed it still packed an over-the-top punch. Jack Jones is pop singer Nick Cooper, who has been on a six year hiatus from recording at the insistence of his wife Gail (Holly Palance). The couple has just divorced, and Nick decides to go back to recording for music executive Webster (David Doyle). Gail? Oh, Gail is savagely murdered in the estranged couple's London penthouse by a killer with a small scythe and sporting an old woman mask, and no one is around to find her body. Nick is put up in an English country house where the servants Mr. and Mrs. B (Bill Owen and Pete Walker regular Sheila Keith) are taking care of the estate while it's owners are on a year-long cruise. The Bs are an odd couple, but Nick takes to the house's isolation and starts recording. Nick also takes to Linda (Pamela Stephenson), Webster's secretary. The two begin seeing each other, as Gail's body decomposes in the penthouse, almost getting discovered on a couple of occasions. Red herring suspects in the murder increase with the introduction of Harry (Peter Turner), Nick's creepy go-fer. Nick begins having nightmares, and the hallucinations turn real as someone wants to either drive him insane, or kill him off themselves. Although I had not seen this in many years, some scenes still stuck with me: the murders are gory, a surprising cast member's character is a cross-dresser, and there is an instance of tree vandalism. What I didn't remember is how good a job Jones does despite some convenient filmmaking cheats. When Nick sees a gory sight, he runs away from it or hides, giving the body or body part a chance to disappear. Jones plays his role well, sporting a nice delivery whether singing or reacting to the craziness around him. Stephenson, Doyle, and Johnson provide ample support. Sheila Keith is always good in these roles, but I dare you to shake her similarity to Robin Williams' Mrs. Doubtfire. Now that I have mentioned it, that is going to be all you think about when she is onscreen. Walker is known for his crazed exploitation (I saw "House of Whipcord"), and he is given ample opportunity here. The description I have read about the film, that Nick's ex-wife haunts him, isn't really true, although there is a supernatural element tossed into this glossy slasher flick, which will remind you of everything from "Curtains" to any other slasher film of the late 1970's and early 1980's. The story does drag a bit in the third act, and I probably would have figured out, and remembered, the climax if I had thought about it a little more. Horror fans will want to seek it out, some parts of this have to be seen to be believed. (R)- Strong physical violence, gore, some profanity, brief nudity, some sexual content, sexual references, some adult situations, alcohol and tobacco use
A group of true-crime podcasters travel back to the scene of the Darien Cross cult killings to investigate what really happened a decade ago during the events of the first film.
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.
An English pianist living in Rome witnesses the brutal murder of his neighbor, a psychic. With the help of a tenacious young reporter he tries to discover the killer using very unconventional methods, and the two are soon drawn into a shocking web of dementia and violence.
A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...
A woman named Emily checks into a hotel and offers the bellboy $2000 to temporarily marry her. We soon find out Emily is the caretaker of a wheelchair-bound mute named Helga, who was the childhood guardian of a pair of siblings: Miriam Webster and her half-brother, Warren, who is about to inherit the estate of their late father. Who is the mysterious Emily and what are her intentions?
After a twenty-year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behavior.
Nerdy Walter Paisley, a maladroit busboy at a beatnik café who doesn't fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla, by making a bust of her. When his klutziness results in the death of his landlady's cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some bigger and more elaborate pieces using the same artistic process.
A New York sculptor who opens a wax museum to showcase the likenesses of famous historical figures runs into trouble with his business partner, who demands that the exhibits become more extreme in order to increase profits.