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**An honorable sequence where the script sounds better, although some comic material seems a little worn out.** This is the fourth film in the prolific “Police Academy” franchise, which visibly marked the 80s and 90s, and which still brings good memories to many people today. I can say that it was one of the comic franchises that I enjoyed during my childhood and adolescence, and that I still see it from time to time. In this fourth film, I felt that the production learned from the flaws of the previous films, especially when it comes to script writing. If the older films had in their weak scripts the biggest problem to overcome, this film responds with a more careful writing and the creation of a more logical story, capable of sustaining all sorts of jokes and comic situations created later. As a result, the film feels more like a cohesive work of cinema. However, it is undeniable that the comic material presented begins to show wear and tear and is not enough to make us laugh, even if it manages to do it several times. For the last time, the film brings together all the main names of the cast and crew from the previous films, and the replacement of Jerry Parris by Jim Drake in the director's chair is barely perceptible: the new director has really managed to capture the spirit of the franchise and give it an honorable following. Steve Guttenberg says goodbye to his character, Mahoney, who will live for the last time, walking out the big door with a job well done. Michael Winslow and Bob Goldthwait were also in excellent shape and seem to have a lot of fun with their characters, along with the excellent Tim Kazurinsky. Sharon Stone was a surprising addition, but it works well thanks to the actress' physical beauty. Technically, the film is very much on par with its predecessors, and the final aerial sequence really deserves a round of applause for the execution and the way it was done. Good sets, the costumes we already know, the soundtrack without major demerits or surprises and a decent cinematography make up the scenario of a film that, if it is not capable of enchanting, manages to convince most fans of the franchise.
The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A "friend" gives him a dog named Jerry Lee (Officer Lewis), who has been trained to smell drugs. With his help, Dooley sets out to put his enemy behind the bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooley's car, house and sex-life...
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Set during the Rodney King riots, a robbery homicide investigation triggers a series of events that will cause a corrupt LAPD officer to question his tactics.
With high school a distant memory, Jim and Michelle are getting married — and in a hurry, since Jim's grandmother is sick and wants to see him walk down the aisle — prompting Stifler to throw the ultimate bachelor party. And Jim's dad is reliable as ever, doling out advice no one wants to hear.
Kyung-jin, a police officer who finds herself chasing down a suspected bag-snatcher on her day off. However, the man she catches turns out to be Myungwoo, a passer-by who was himself trying to apprehend the real criminal.
Officer Carey Mahoney and his cohorts have finally graduated from the Police Academy and are about to hit the streets on their first assignment. Question is, are they ready to do battle with a band of graffiti-tagging terrorists? Time will tell, but don't sell short this cheerful band of doltish boys in blue.
