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The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
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**Superior to the first movie** This movie has so many great moments. All of the original gang return - except Harris and Callahan. Lt. Mauser ( Art Metrano) is the new slimy adversary here along with his braindead sidekick, Proctor. Highlights include the hilarious Kirkland family and their _bouts_ of affection, an overly sticky black sock, a gang of moronic street thugs led by the cretinous Zed (Bob Goldthwait) and a hilarious scene in a sushi bar. The last of the truly funny Academy movies.
**An honorable sequel.** This film is a sequel that came out the year after the release of its predecessor, making the best use of the box office success achieved. Although many may not even agree with me, I believe it managed to reasonably match the initial film, and helped to consolidate the nascent franchise and give it popularity, which TV later took advantage of. The script continues the story told in the first film, with the newly graduated police officers taking on their first and thorny mission: to reinforce the weakened and demoralized contingent of a police station in a troubled neighborhood, headed by the brother of the Academy Commander. Of course, one of the bosses is keen to take his place, and will do whatever he can to get in the way. The script continues not to be particularly inspired, and to demonstrate several weaknesses, but it does the essential and reasonably sustains the film. It is not, however, as effective in this task as the first film. On a positive note: the nudity we saw in the initial film has all been stripped away here, making this film reasonably more suited to the family context. The cast is almost entirely inherited from the previous film and the more familiar and solid faces will be the ones that will sustain the bulk of the action here. Once again, Steve Guttenberg once again stands out and has an unmistakable role. Still, Art Metrano manages to steal our attention every time he appears on the scene, and he's really funny and good at what he does. David Graf, Bubba Smith, Lance Kinsey and especially Bob Goldthwait are actors who deserve praise for a job really well done. I really liked Goldthwait and the way he gave his character a touch of unpredictable madness. Marion Ramsey is in a more low-key position here, but she does what she can with what little she's been given. The film has good sets and costumes, and the cinematography is regular, but it works well. The soundtrack brings back the main theme we already know, but it doesn't present anything that is really interesting anymore. The film has a very good pace and is not tiring.
Inoffensive sequel provided a few laughs but isn't as good as the first. Still, fine as a quick viewing given it's only 80-minutes long. **3.25/5**
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor smells a cover-up, witnesses get targeted. A thinly veiled dramatization of the assassination of Greek politician Grigoris Lambrakis and its aftermath, “Z” captures the outrage at the US-backed junta that ruled Greece at the time of its release.
A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.
Alex Thomas was the man in charge of protecting the president but, when the time came to fulfill his duties, everything just went wrong. His conscience haunted by a bullet, and his devotion to his country stronger than ever, Alex teams with a seasoned reporter to navigate a treacherous web of lies, unlocking a dangerous conspiracy, and enter a deadly world in which skilled assassins and highly-trained ex-special ops lurk in every shadow.
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.
"Dirty" Harry Callahan is a San Francisco Police Inspector on the trail of a group of rogue cops who have taken justice into their own hands. When shady characters are murdered one after another in grisly fashion, only Dirty Harry can stop them.
"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.
A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry 'The Blade' Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of a Senator is buried. Clifford shoots himself and Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says.