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Without a doubt, Branagh's film of **HAMLET** is the most ambitious Shakespeare film to date. He goes all in on.. well, everything. He brings aboard a stellar all-star cast, too many to highlight all, but includes Billy Crystal, Robin Williams and Jack Lemmon - none of which are known for their Shakespearian pedigree. Branagh takes on Hamlet, the largest role in all of Shakespeare - and most English language literature. His interpretation is - not surprisingly - brilliant and worthy of study. Kate Winslet plays his challenged love Ophelia, and Derek Jacobi is the fraudulent King. Rounding out the largest roles, Julie Christie is the doomed queen and Richard Briers is the fussy Polonius. All excellent in their handle of the language and expression of humanity. Much of the film takes place inside the castle of Elsinore, a gorgeous and regal stage set lined with mirrors to challenge each individual's intentions and a chess-board floor to accentuate the challenge in the royal battle for checkmate. The Elsinore grounds are widespread and scenes in the snow covered Danish mountains all shown in glorious 65mm film... an extremely detailed film stock that was rarely used because of the extreme expense and cumbersome camera size. With **HENRY V** and **MUCH ADO ABOUT NOTHING**, Branagh has proven he is a master of adapting Shakespeare's long form story into much more manageable American movie length. Well, here he goes all in and captures the 4 hour play in its uncut full length. The film was shown with a 15 minute intermission. **HAMLET** itself is doubtlessly one of the most intelligent character studies ever written by any author, and Branagh does a great job recording that. Even many other productions of the show do as good a job or even better job in relaying that story. Either way Branagh's film work is filled with many treasures and to this point, his Shakespeare films are close to flawless. For now...
A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act.
A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.
The story revolved around a typical household of a Nepalese village where a desperate young boy flees home to earn money and to alleviate agony of his poor widow mother. He served in a foreign army for a couple a years, returns home as a grown-up, energetic young man but only to find that his mother has died. The elders of the village persuade him to stay behind in the village and serve the community, reiterating the saying that “service to the motherland is equally virtuous as service to a mother.
A group of people in a small, isolated desert town through a series of strange events, begin to come to terms with growing older.
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.
When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV positive, his family quickly rallies around him. Leo travels to Paris with his youngst brother Marcel for treatment. When Leo tries to push his brother away to protect him, the love and loyalty of the two brothers is tested.