Ciudad de la Selva - Runaways & guerrilla in the forests of Casaio

The painful story of Ireland and the Irish people, who struggled for centuries to free themselves from the tyrannical clutches of the British Empire; an epic tale of poverty, hunger, despair, violence and unyielding courage.

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

In the early ‘70s, in Argentina, a group of homosexuals decided to confront the status quo. With testimonies from its survivors as its denouncement source, Sex and Revolution brings back the voices of those who thought in order to be recognized as political actors in a society that wasn’t prepared for them.

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

The convoluted and moving story of Russian writer Vassili Grossman (1905-64) and his novel Life and Fate (1980), a literary masterpiece, a monumental and epic account of life under Stalin's regime of terror, a defiant cry that the KGB tried to suffocate.

Story of Azem Bejta (1889–1924), commonly known as Azem Galica, who was an Albanian nationalist and rebel who fought for the unification of Kosovo with Albania.

As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.