301

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Some game trolls in the United States make a sport of getting other players “swatted” live during the game: they find out someone’s name and address, fake his caller ID, and make a bogus 911 call. The next thing you know, a SWAT team armed to the teeth is bursting into his house and giving him the fright of his life. This is all streamed live on camera, of course, so everyone can be in on the joke. Swatted is a cinematic exploration of this phenomenon based on 911 calls by offenders, YouTube videos of games and raids, and first-hand accounts of what it’s like to be swatted.

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.

The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

On a journey through the interior of the earth, we learn about the life and dreams of a swiss explorer who searches for caves and underground rivers in a sector marked by violence and armed conflict in Colombia. This underground labyrinth is a metaphor about a dark past, buried deep within the soul, where old war wounds heal with the infinite passage of time.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.