Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Guest House Paradiso, then; a movie I bought for £1 at the local flea market, and which left me feeling ripped off for the entire pound. What started as a tired sequence of set pieces within the world's dreariest set (I'm sure that was the point, but still), involving Rik Mayall with his shirt tucked into his underpants (again), fighting aimlessly and endlessly with a vaguely embarrassed-looking (as well he should be, as the director) Adrian Edmondson whilst Bill Nighy watched on redundantly, morphed into an extended scene featuring a heavy-handed Vincent Cassel (what was he thinking??) attempting to rape his new "bride" whilst awaiting delivery of some prostitutes he'd ordered, and finally collapsed into a new nadir for cinema with a pea-green-soup puke-a-thon (starring Cassel, Simon Pegg and Fenella Fielding amongst others), with said substance filling rooms and corridors alike. I watched the "Making Of" featurette afterwards, and Rik Mayall explained that he and Adrian (the co-writers of this ****) had so many good ideas for the script that the initial read-through ran at almost three-and-a-half hours, forcing them to condense the gags down to "just the very best" ones. Jesus Christ, a puerile 8-man orgy of cartoon-style vomitus taking up at least the last 15 minutes of the film was one of the "very best" gags? Even judging that sequence by its own disgusting standards, it's been done better before (Monty Python's The Meaning of Life) and since (Team America: World Police). No, in this case it was a just bad gag, executed badly. Dreadful. And I'm not just snootily bemoaning Rik and Adrian's sophomoric tendency to rely on repeatedly hitting each other with large objects, Tom & Jerry-style. They've been doing that for years, to much greater effect (The Comic Strip Presents... Mr. Jolly Lives Next Door for instance was brilliant), but this is easily the poorest thing I've seen from either of them.
Gangster's girlfriend hangs out in a Las Vegas hotel with her cop protectors while she waits to testify.
Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. When thieves try to break into his home, he puts up a fight like no other.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
With their freedom on the line, the Looney Tunes seek the help of NBA superstar Michael Jordon to win a basketball game against a team of moronic aliens.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Noi runs a rural bar and guesthouse called the Paradise Hotel. He tends bar and arm wrestles any challengers. The hotel, which has only one room, already has a guest, a man named Chana. Chana is annoyed that the hotel plays host to various musical groups, including a man who sings European opera, another man who practices the trombone, a Peking opera troupe, a Filipina ballad singer and a brass band that accompanies two bare-knuckles boxers.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
John Brown is a bumbling but well-intentioned security guard who is badly injured in an explosion planned by an evil mastermind. He is taken to a laboratory, where Brenda, a leading robotics surgeon, replaces his damaged limbs with state-of-the-art gadgets and tools. Named "Inspector Gadget" by the press, John - along with his niece, Penny, and her trusty dog, Brain - uses his new powers to discover who was behind the explosion.
The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.