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Georges Méliès does it again in the same fashion as Le Manoir du Diable. Albeit shorter than his prior voyage into horror film. This is at least a different story. Instead of this being a period piece, it appears to be a modern one. The film shows George Melies, himself, having One Terrible Night with a creepy, crawly, spider. The film is one of dozens of shorts released during the era that focused more on drawing crowds biased on technology rather than the plot of a film. It is still going to be a few years before Horror is fully shaped and functioning. If you are curious to see what film looked like in the 1800's then check out below where I have included the short.
This one is kind of goofy, and I like the special effect used for the bug, but quite honestly the reactions after the bug doesn't make sense, even for a "one of the first ever films" vibe. He starts swinging at other bugs after the first huge one dies, but you see nothing during the time. It might be because of quality, but it seems unnecessary. It's very interesting to review this film, however, considering it's still part of the horror genre, as it shows how deeply instilled comedy can be in horror even from the very beginning of the film genre. Camp too! It can be classified as a campy film, and I honestly believe camp and horror go hand in hand.
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
In a playful collision of cultures, a hapless Irishman and his Parisian girlfriend get more than they bargained for when they encounter a particularly mischievous stranger in the spectacular Australian wilderness.
Dark comedy about something we all do - we hate other people for trivial reasons. Life is hard even without having to tolerate other people's annoying habits. The problem is you can't kill somebody just because they chew too loudly. But in this animated world, you can make all your dark visions of fatal revenge a reality.
Spain, 1979. Irene is an aspiring writer who is obsessed with the delicate ghost at the library she works at.
A writer taking a rest in a country hotel is obsessed with a strange woman in the same hotel. The woman seems to observe him in provocative ways, but he does not dare to approach her. One day he follows her to her room and listens to strange “erotic” sounds from inside, and begins to have erotic thoughts.