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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
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Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Hollywood Squares - (Feb 20th)
God, this movie is bad. And it's so much fun I can hardly stand it. Reasons why you should watch Hackers, in no particular order: - A steaming 20-something Angelina Jolie, - A bleach-blonde Jonny Lee Miller (hubba hubba), - An ever awesome Matthew Lillard, who cranked his Lillardness up to 11, - A duo of DJ/hackers named Razor and Blade (feel free to cry), - An awesome and totally cliché GenX soundtrack, - "It's 1995 so we have to make an Eddie Vedder reference" (and it's totally awesome), - Fisher Stevens who acts out his entire part as if he's on steroids, - Did I mention Angelina Jolie? Does this movie have any basis in any realm of conceivable realism? Nope. Is this even what actual hacking looks like? Oh puh-lease! Is it everything you could wish for in an hour and a half of pleasurable suspension of disbelief? Absolutely. Hackers is sexy and silly and every good kind of bad. I gave you my recommendation. If you don't like this movie then there's nothing I can do about it. _(February 2017)_
Outdated and more than a bit quirky, but a fun watch and a film that I honestly thought was hilarious.
Twin Blood is an alternate version of Blade and Evil's first battle, with drastically different character and mecha designs from the rest of the series. Blade/D-Boy does not need Pegas to transform and the armor more closely resembles the Radam humanoids from Tekkaman Blade II.
A teenager tells outrageous lies at his new high school, only to have them suddenly come true.
Nick Suster, a secret intelligence agent paralyzed by an assassin's bullet, sets out to track down his assailant and in the process, uncovers a major arms-smuggling operation that threatens international security.
The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.
Named after the World War II-era program, the plot revolves around a gifted high school student who decides to construct a nuclear bomb for a national science fair. The film's underlying theme involves the Cold War of the 1980s when government secrecy and mutually assured destruction were key political and military issues.
Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons' lives in the 1990s.
Told from the man's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.
Entropy is a semi-autobiographical film which tells the story of a young director struggling to make a film for a despotic studio while his life falls apart around him. Along the way, he goes on tour with U2 to help them make a music video, gets married in Vegas, and has a conversation with his cat.
Chuck's a big kid who picks on the little kids... what can be done to stop his reign of terror?
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
A constant runaway is given over to the care of the state and finds herself in a remand centre for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment from her peers and her own abusive family, and only one care worker sees her potential to rise above her tragic circumstances.