Andrea Mitchell Reports - (Jan 27th)
Tribunal Justice - (Jan 27th)
Open House NYC - (Jan 27th)
Hamster and Gretel - (Jan 27th)
Perfect Match - (Jan 27th)
Room to Improve - (Jan 27th)
Baddies Midwest - (Jan 27th)
Joselines Cabaret Texas - (Jan 27th)
The Chase Australia - (Jan 27th)
Married at First Sight UK - (Jan 27th)
Watch What Happens Live with Andy Cohen - (Jan 27th)
Countryfile - (Jan 27th)
Die Pflegionärin - (Jan 27th)
Lakefront Luxury - (Jan 27th)
Lidias Kitchen - (Jan 27th)
Darby and Joan - (Jan 27th)
Tipping Point Australia - (Jan 27th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
In a 2012 joint investigation by FRONTLINE and the Center for Public Integrity, correspondent Miles O’Brien uncovers the shocking consequences of a broken dental care system. Poor children, entitled by law to dental care, often cannot find a dentist willing to see them. Others kids receive excessive care billed to Medicaid, or major surgery for preventable tooth infections. For adults with dental disease, the situation can be just as dire and bankrupting. While millions of Americans use emergency rooms for dental care, corporate dental chains are filling the gaps in care, and in some cases have allegedly overcharged patients or loaded them with high priced credit card debt.
Never-before-heard eyewitness accounts from released hostages, survivors, and first responders during the October 7 attacks on Israeli towns and at the Nova Music Festival show the disgusting extent of the crimes of so-called Palestinian freedom fighters. Women and girls were raped, assaulted, and mutilated by members of the Hamas terrorist group and murderous Palestinians from the Gaza Strip who joined this mob. Released hostages have revealed that Israeli captives in Gaza have also been sexually assaulted. Despite the indisputable evidence, these atrocities have received little scrutiny from human rights groups and international organizations. Many leading figures in politics, academia, and media have attempted to minimize or even deny that they occurred. In this documentary, Sheryl Sandberg conducts in-depth interviews with witnesses and survivors of the events that reveal the full sad extent of the Hamas massacre.
"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.
As the Pandemic breaks, 5 doctors in the USA treat COVID-19 patients away from their Motherland. An emotional journey of healthcare workers and their families with unfiltered content from their personal lives shot entirely during the lockdown.
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
Reynhard Sinaga is the UK's most prolific rapist. Posing as a good Samaritan outside Manchester nightclubs, he drugged, sexually assaulted and filmed his depraved acts with at least 200 young men for the past 12 years.
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Bo Kata, loosely translated in English means hacked! That is the victory battle cry when kites are eliminated in raging sky duels, sometimes lasting hours. Filmed entirely in Lahore, Pakistan, over three continuous days, Bo Kata is a rare cinematic documentary treat, depicting uniquely the rooftop kite flyers of Lahore, who have been a traditional part of Pakistan's culture and heritage that has lasted for over 400 years. Their sport is now under threat from a complete ban, after a series of tragic fatalities involving children and motorcyclists, resulting in decapitations and dismemberment from illegal chemically coated strings used to fly the kites. The documentary highlights a population that is associated with the mysterious art of kite dueling amidst the political backdrop of an impending ban
Following the behavioral problems and progressive confessions of her two children Marie and Pierre, a mother decides to file a complaint against her husband for incest and membership in a pedophile sect. The report proposes a chronology of the judicial investigation with the testimonies of Marie and her mother, but also of the representatives of justice involved in the investigation.
Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.