MALALA: A Girl From Paradise

This short documentary tells the story of one of the world’s most difficult and bizarre sporting events: The Barkley Marathons. This 100-mile footrace and its 60-hour time limit force athletes to run, crawl and climb an elevation gain equivalent to two treks up Mt. Everest. In nearly thirty years, only fourteen runners, out of over one thousand participants, have finished The Barkley.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.

The Cistercian monks of Austria are holy men who rise at 4:30 a.m., pray for more than four hours a day and have devoted their lives to God. They're also pop stars. This documentary offers a glimpse at the daily life of the joyous monks of Stift Heiligenkreuz Abbey whose recordings of their ethereal Gregorian chants have turned them into chart-topping music sensations.

The film consists mainly of interviews with readers of Freud in Brazil and several places in Europe, and touches on topics such as history, translation, culture, language and, especially, Freud himself.

Academy Award winning make-up artist Rick Baker reflects on An American Werewolf In London and The Wolfman.

Years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialist on Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one another in the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgents on the one hand and religious extremists has frayed considerably.

Thatta Kedona is a remarkable village in rural Pakistan. Since 1991 36 volunteers from Western countries have visited and coached the village people in a help to self help project. Dolls and tin toys reflecting regional cultures of Pakistan are products which generate cash income for the farming families through the local cooperative-like NGO. On the other side those volunteers from Western countries are also having their fun by working in a rural village of Islamic society with strong overlays by the traditional culture of Indus Valley, the Mogul period, Hindu culture and the influences of British-India. Hence the playfulness of a "toy village" is on both sides. For the villagers by producing toys for cash in a not-yet industrialized region avoiding rural exodus to the big cites (and thus avoiding the poverty slums that are generated by migration). And joy for Western people being confronted by their own history stages in present time within a foreign context.

This fascinating documentary chronicles the intense rivalry between high schools in Southern Indiana to win a prestigious festival performance with lavish student musical productions that often cost in the tens of thousands of dollars to produce.

Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.