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The Real Housewives of Salt Lake City - (Jan 30th)
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Fails to hit the right notes. 'The Bears and I' holds a storyline that we've basically seen before with these Disney animal-filled films, so there's nothing fresh or majorly interesting there. Likewise with the animals themselves, it's the studio's second release in four years that is about bears; see: 'King of the Grizzlies'. This one has a secondary plot involving Whites and Native Americans, another thing we've already seen numerous times. Cast-wise it's alright, with Patrick Wayne leading as Bob. Chief Dan George (Peter) and Michael Ansara (Oliver) are OK, though Valentin de Vargas' character of Sam is ill-written. These type of productions always tend to be rather light with the human cast anyway. The animals are cute and the overall message with them is positive, though you could again raise issues with welfare concerns. The writing and dialogue, meanwhile, is below par. To me, this is paced too slowly and doesn't do enough to separate itself from past films from Disney.
We're Going on a Bear Hunt follows the intrepid adventures of siblings Stan, Katie, Rosie, Max, the baby and Rufus the dog, who decide one day to go on an adventure in search of bears. Coming up against a host of obstacles the family ventures through whirling snowstorms, thick oozing mud and dark forests on their ambitious quest. But when Rosie and Rufus become detached from the rest of the party it looks like bear-hunting might not be such fun after all...
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
A grizzly bear escapes from a wildlife park and leaves a trail of destruction through the mountain village of Pine Lake. After sixteen-year-old Josh is accused of having released the bear, he goes after it.
After killing a prison guard, convict Robert Stroud faces life imprisonment in solitary confinement. Driven nearly mad by loneliness and despair, Stroud's life gains new meaning when he happens upon a helpless baby sparrow in the exercise yard and nurses it back to health. Despite having only a third grade education, Stroud goes on to become a renowned ornithologist and achieves a greater sense of freedom and purpose behind bars than most people find in the outside world.
In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.
One Million B.C. is a 1940 American fantasy film produced by Hal Roach Studios and released by United Artists. It is also known by the titles Cave Man, Man and His Mate, and Tumak. The film stars Victor Mature as protagonist Tumak, a young cave man who strives to unite the uncivilized Rock Tribe and the peaceful Shell Tribe, Carole Landis as Loana, daughter of the Shell Tribe chief and Tumak's love interest, and Lon Chaney, Jr. as Tumak's stern father and leader of the Rock Tribe.
The construction of the Great Western Railroad creates heavy conflict between the railway company and neighboring Indian tribes. Worse, criminal gang leader Santer sets his eyes on a gold mine located on holy Indian land and influences the construction supervisor to re-rout the planned railroad straight through Apache land. Old Shatterhand, who works as a measurement technician, discovers the evil plan and searches contact with the Apaches in an effort to avert war.
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.
A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.
A MYSTICAL GRANDFATHER transforms the life of a modern day boy through the legend of SEEKS-TO-HUNT-GREAT. In this haunting and sometimes humorous, SEEKS-TO-HUNT-GREAT (Michael Horse) tracks a mountain lion for many months, learns from it and eventually gains its trust. Struggling to survive the hardships and dangers of living in the wild, both man and lion experience many surprises, and much suspense and adventure. Based on Native American folklore and the Medicine Wheel Way, SPIRIT OF THE WILD brings an awareness of our important relationship with our environment, our Mother Earth and all our brothers be they two-legged, four-legged or winged.