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**It would be an excellent sequel, every bit as good as the original, if logic issues and plot holes didn't get in the way too much.** If I can say that I really enjoyed the first film in this trilogy, I can't say the same for any of the sequels. The first film, even with all the flaws, was quite good and was so enjoyable that it became a milestone for many people's childhood and adolescence. This one, in addition to not bringing anything really new, has more flaws and problems than its predecessor. The film's biggest problem turns out to be the script: the action takes place some time after the events of the first film, but we continue to see Willy, the released orca, playing a heroic role in saving several other animals after an oil spill resulting from an accident with a tanker that passed too close to the shore. Of course, as it is predictable in a film like this, there is life danger to the orcas, but in the end, everything goes well. The script really ends up depending on each person's ability to turn off their brain and watch the film without asking questions. On the one hand, we are dealing with an orca whose release was amateurish, unforeseen and unprepared, as we saw in the opening film. In addition to this being something that goes against all the basic norms of those who deal with these animals, it increases the chances that a wild animal simply does not want its freedom, preferring the human contact it is already used to. It would help to understand how Jesse and Willy's relationship continues to be strong and important in this film, and the film that would follow. However, believing that the orca could hear Jesse's harmonica, even if it were far away, is as foolish as believing in Santa Claus, and is simply forgetting that these animals travel thousands of miles, and that the orca is one of the few marine mammals that can be seen in any sea in the world. Willy would never hear the sound of his friend's harmonica if he was that far away. And although the film touches on an important ecological and environmental point – the damage caused by oil spills – the way it does so is far from realistic. Oil spills are a serious matter, they mobilize a lot of technicians and there are specific ways to contain and clean them up, as well as to save the affected marine life. A bunch of amateurs just couldn't do much. In addition to the logic problems and holes in the script, the film has some very underwritten characters, although some of the heavy clichés of the initial film have been polished. And it is still pleasant to see the most important faces of the initial film return: Jason James Ritcher continues to work well as Jesse and is well supported by Michael Madson and August Schellenberg, who also return to the characters they already know. Francis Capra is doing very well, and Mary Kate Schellhart does what she can with the material she's been given. Technically, the film continues to bet heavily on good cinematography and the choice of beautiful filming locations. As with its predecessor, it's a film that doesn't look the age it already is, and if we saw it without knowing when it was released, we wouldn't give it more than ten years. Good sound effects, good special effects, a realistic and effective animatronic whale, are some of the values that this film presents to us and that deserve a positive note. The soundtrack is pleasant, skillfully recycling material from the early film.
Hiromi appears on the outside to be a mature, resilient girl, but on the inside she feels like she's falling apart. She is having troubles at home mainly because of her parents wanting to separate. Her dog, Junkers, tries to comfort her in ways no other dog can. You see, he can talk and grant her 3 wishes.
Bolt is the star of the biggest show in Hollywood. The only problem is, he thinks it's real. After he's accidentally shipped to New York City and separated from Penny, his beloved co-star and owner, Bolt must harness all his "super powers" to find a way home.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
Jack London's classic adventure story about the friendship developed between a Yukon gold hunter and the mixed dog-wolf he rescues from the hands of a man who mistreats him.
Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.