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Every citizen is a peace officer when the peace is violated. This is a free country by statute. Trail Street is directed by Ray Enright and adapted to screenplay by Norman Houston and Gene Lewis from the novel of the same name written by William Corcoran. It stars Randolph Scott, Robert Ryan, Anne Jeffreys, George Hayes, Madge Meredith and Steve Brodie. Music is by Paul Sawtell and cinematography by J. Roy Hunt. Bat Masterson (Scott) is called to the town of Liberal in Kansas to act as Marshal because a range war has erupted. It's the trail riders versus the farmers with Bat Masterson in the middle, perfect for Randy Scott then. Trail Street is a very honest Oater, sturdy of formula and played for genre compliant rewards. Clearly of no historical worth, mind, it's however a further reminder about one of the "names" that stand through the test of time from the Old West.The land war as a central plot device is always fascinating, for the two sides of the argument angle keeps things on the high heat. In the mix here comes corruption, romantic sub-plots (with 2 ladies of different social standings) and of course law and order as a force of nature. Ultimately it's good fun entertainment, the cast themselves seemingly enjoying their respective parts and working for this director. Hayes brings the froth, Brodie the slimy menace, and the girls are not just token fodder. Scott isn't in it as much as we would like, but once arriving in town he dominates with genre gracefulness in what was soon to become his total career pathway. While Ryan is wonderfully fresh faced and lights up his scenes with distinction. Enright has a good feel for character development, and when the pic begins to sag he pulls it back on track with a nifty action sequence. Rounding out the tech credits we have Hunt's (Crossfire) photography, which is spiffing and marries up smartly with the visual themes that Enright favours, while Sawtell keeps it safe and standard for aural pleasure. The ending is worth waiting for, with guns a toting and stunt men a falling from a high, and a very dark act is carried out to set us up for a boffo finale. This is hardly a must see or must have in your Westerns collection, but it's above average and has an unassuming feel that's most pleasing for the genre faithful. 7/10
Liberal is a town in Kansas that is rapidly descending into lawlessness. That is until local "Billy Jones" (Gabby Hayes) gets his pal "Bat Masterson" (Randolph Scott), a federal marshal, to come and try to sort things out. With the help of "Harper" (Robert Ryan) and dancing girl "Ruby" (Anne Jeffreys) he sets his sights on "Maury" (Steve Brodie) and his manipulative henchman "Carmody" (Billy House). The only thing that distinguishes this from a whole slew of others of this type, is that Ryan manages to discover a wheat that is resistant to drought - a pretty perennial problem here - and that galvanises the farmers who are on the verge of giving up. Otherwise, it is a pretty routine adventure peppered with a few shoot-outs and a bit of romance. Scott and Ryan do their jobs OK, and the story moves along quickly enough but if you've seen one, then I'm afraid you've seen them all as far as this is concerned.
Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
An honest marshal in a corrupt mining colony on Io, Jupiter's sunless third moon, is determined to confront a violent drug ring even though it may cost him his life. After his wife angrily deserts him, he waits alone for the arrival of killers hired by the company to eliminate him.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
A ring of cattle thieves uses short-wave radio to communicate with each other. A trio of range detectives must find a way to capture the gang.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.