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**_Interesting first half goes off the rails bad in the second_** A marshal in southern Arizona (Dwight Yoakam) tracks down a clan of murderous bank robbers with whom he grew up (Luke Askew, Vince Vaughn, Paul Reubens, etc.). Along the way he meets a woman that distracts his attention (Bridget Fonda). Peter Fonda, Bo Hopkins and Matt Clark are also on hand. “South of Heaven, West of Hell” (2000) is an eccentric adult Western with a great cast made by country music star Dwight Yoakam. He had some success at acting (e.g. “Sling Blade”) and so tried his hand at scriptwriting and directing here. He also plays the noble protagonist, of course, and does well in the role. There’s some beauty, like the cinematography and romance, but there’s also an uncompromising nasty edge that emphasizes the ugly side of the Old West, as was done in “The Great Northfield Minnesota Raid” and Peckinpah’s “Pat Garrett and Billy the Kid.” If you like those Westerns and similar artsy ones, like "McCabe & Mrs. Miller" and "The Missouri Breaks," give it a try, but it’s arguably the least of ’em (with Brando’s “The Missouri Breaks” being the best IMHO, although “McCabe & Mrs. Miller” certainly has its points of interest). I should add that the violence in the flick is creative and stark, not to mention sometimes amusing. Speaking of amusing, Dwight did the music, which is sometimes ill-fitting, especially in the violent second half, which suggests that he was shooting for quirky and perhaps black comedy. Meanwhile Billy Bob Thornton shows up in an interesting bit part. Unfortunately, too much of the second half smacks of lousy filmmaking. No doubt Yoakam was being experimental and artistic, but I found too much of the film awkward, uncompelling and repugnant, even amateurish, which leaves a bad taste. It’s no surprise that it was a flop and hasn’t developed a cult following. I give credit to Dwight for trying and taking great risks (with SOME of it working), but it turned into a cinematic nightmare for him. The script needed rewritten to flush out the potential and tweak flaws, but that takes money which Yoakam didn’t have (he already sold his mansion in Malibu to help finance it). He had access to quality actors and enough money for a decent Western, but I guess you could say he was in over his head. It smacks of a Tarantino Western by a wannabe. Bridget (Peter’s daughter) would only do six more movies and a handful of TV episodes before retiring from the biz in 2002. The film runs 2 hours, 11 minutes, and was shot in southeastern Arizona (Sharp's Ranch historical site in San Rafael Valley, Old Tucson, Mescal and Benson). GRADE: C/C-
The successful undercover agent Victor Cooper is assigned for his ninth mission: to find how the loadings of drug is being brought to Miami. He suspects that the drug is coming through the air and joins a team of sky diving, under the leadership of Red Line, a fanatic and considered the athlete number one in this sport in the world. Due to his profile of winner, Vic gets involved with the group and he "disconnects" from his position of infiltrated agent, "connecting" with the team.
The brains of a Russian taxi driver and a wealthy businessman are brought together in one body by a mad scientist.
A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Alex and Erica Boyer are a young couple in crisis. Alex, despite his loving wife, beautiful home and high-paying job, feels trapped. When Erica has an accident that leaves her temporarily confined to a wheelchair and requiring the services of a private nurse, the beautiful Lisa enters the Boyers' lives. A complicated situation develops as Alex sees Lisa as the cure for his own problems as well as his wife's.
A successful artist looks back with loving memories on the summer of his defining year, 1974. A talented but troubled 18-year-old aspiring artist befriends a brilliant elderly alcoholic painter who has turned his back on not only art but life. The two form what appears to be at first a tenuous relationship. The kid wants to learn all the secrets the master has locked away inside his head and heart. Time has not been kind to the old master. His life appears pointless to him until the kid rekindles his interest in his work and ultimately gives him the will to live. Together, they give one another a priceless gift. The kid learns to see the world through the master's eyes. And the master learns to see life through the eyes of innocence again. This story is based on a real life experience.
A former bomb squad leader comes out of retirement to investigate a series of bombings plaguing Seattle.
In 1971, air-conditioner repairman and boat enthusiast Jim McCormick entertains his desire to 'go down' as a legend in the record books when the Gold Cup hydroplane boat race improbably comes to his small town of Madison, Indiana. Immediately, Jim seizes his opportunity to enter the contest. With a motley crew of fellow mechanics and friends at his side, Jim fixes up his old boat and brings hope to the blighted industrial city. Written by Sujit R. Varma
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.
