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Rocketeer is directed by Joe Johnston and co-written by Danny Bilson, Paul De Meo and William Dear. It is based on Dave Stevens' comic book The Rocketeer. It stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton and Paul Sorvino. Music is scored by James Horner and cinematography by Hiro Narita. It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings. The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords. A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
Very much enjoyable, this. 'The Rocketeer' exceeded my expectations in truth, I wasn't expecting much given the opening few minutes. However, thankfully, it ends up producing an entertaining 108 minutes. Cool superhero, great score and a likeable cast list. The premise is properly bonkers, especially towards the end, but they make it work and deserve credit for doing so. There are numerous recognisable faces onscreen, all of the main talent give good performances. Billy Campbell plays the lead role, Cliff. I've (relatively) recently become aware of him via television's 'Cardinal' - which is outstanding btw, check it out if you can - and loved him in that, he's also very good in this. Jennifer Connelly (Jenny) and Alan Arkin (Peabody) are also involved, as are Paul Sorvino (Eddie) and Timothy Dalton (Neville). I enjoyed Dalton, he portrays his role very well. The pacing is solid, thanks also to the noteworthy action and James Horner's score. All in all, this is a film I would definitely recommend; it's certainly nearer the top than the bottom of Disney's live-action offerings up until 1991.
Billy Campbell was actually extremely believable in this and, honestly, I don't think that they could have found anyone better to play the evil Nazi Erroll Flynn styled actor than James Bond's Timothy Dalton. But, also, I always kind of feel that Campbell has gotten the short end of the acting stick. In all honesty, it's really a horribly fin superhero movie, right down to that amazing retro 1930s serial feel. The entire thing was great and warranted far more fan fare than it received.
I hadn't seen this for over 15 years but as soon as the opening bars from James Horner's score hit my ears it all started to come back to me. This is a stylish adventure story that amalgamates lots of different themes from 1920s America - gangsters, aviation pioneering and a love story into a tale of good v evil and innovative science; we even have some Nazis! Bill Campbell is largely there for his looks, it has to be said - but as our daredevil hero "Cliff" he does inject some fun into the proceedings. He stumbles upon a rocket suit designed by Howard Hughes and decides to master it and put it to good use. Meantime, a comically menacing Timothy Dalton ("Neville Sinclair") is a British Hollywood actor who shamelessly rips off Errol Flynn movies (amongst others) and is prepared to pay some hoodlums handsomely if they can procure the gadget for him. From here on in, it's becomes a good family cat 'n mouser. Nothing onerous or unpredictable with the script; some decent special effects and classy aerobatics - as well as a nice character performance from Alan Arkin keep this all rolling along nicely.
In the 1930s a trio of unlikely adventurers set off to find a heretofore uncharted land. It has existed in stories and myths for centuries and is believed to be somewhere around the North Pole. Hounded by an overambitious agent of the USSR, the explorers end up finding much more than they ever expected.
Batman must face his most ruthless nemesis when a deformed madman calling himself "The Joker" seizes control of Gotham's criminal underworld.
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.
Liquidated after discovering a corporate conspiracy, mild-mannered graphic artist Patience Phillips washes up on an island, where she's resurrected and endowed with the prowess of a cat — and she's eager to use her new skills... as a vigilante. Before you can say "cat and mouse", handsome gumshoe Tom Lone is on her tail, fascinated by both of her personas.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
John Brown is a bumbling but well-intentioned security guard who is badly injured in an explosion planned by an evil mastermind. He is taken to a laboratory, where Brenda, a leading robotics surgeon, replaces his damaged limbs with state-of-the-art gadgets and tools. Named "Inspector Gadget" by the press, John - along with his niece, Penny, and her trusty dog, Brain - uses his new powers to discover who was behind the explosion.
Batman must face The Penguin, a sewer-dwelling gangleader intent on being accepted into Gotham society. Meanwhile, another Gotham resident finds herself transformed into Catwoman and is out for revenge...
In the looming shadows of Gotham City, two villainous souls devise twin schemes of revenge against the city's dark guardian. Two-Face, disfigured by chance and fueled by vengeance, is obsessed with destroying Batman, while the Riddler, a disillusioned genius, pursues the destruction of billionaire Bruce Wayne. Together they've hatched a plot to absorb and control the minds of all of Gotham City's residents, and only Batman and his new partner, Robin, can stop them! But the Dark Knight is hindered by a mystery from his own childhood. He must hope that a new found love can help him overcome the incident that made him what he is. In the end, he must decide: will he be Batman—forever?
Batman and Robin deal with relationship issues while preventing Mr. Freeze and Poison Ivy from attacking Gotham City.