The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
A different direction brings differing results. Batman takes on a new side kick as he fights to keep Gotham City out of the clutches of Two-Face and The Riddler. "No thanks, I'll get drive-thru" Thus these be the first words out of Val Kilmer's incarnation of Batman and thus setting the standard for what Joel Schumacher's two Batman movies would be like. Gone is the dark undertone from Tim Burton's visions, and the tight action sequences that marked Burton's debut out as a genuine genre piece of work, in their place comes sexy campery and ropey action set pieces. The casting of both Val Kilmer as Batman and Chris O'Donnell as Robin is a big mistake, Kilmer easily being the most boring actor to don the suit out of all of them, whilst O'Donnell simply can't act outside of Robin's cartoonery bravado. Nicole Kidman looks positively gorgeous as Chase Meridian, but that's all that is brought to the party, it's a waste of the very talented Kidman's ability and a waste of the audience's time. It's not all bad though, a comic book adaptation is only as good as its villains, and here we get a perfectly cast Jim Carrey as The Riddler, and a wildly over the top Tommy Lee Jones as Two-Face. Carrey steals every scene he is in, it's almost too much, but as maniacal and exuberant as it is, it is the film's highlight and actually the film's saving grace (Tommy Lee Jones was reportedly unhappy from having his thunder stolen in the movie by Carrey). The script does work enough to make the story accessible to all ages, and there are enough crash bangs and wallops to entertain in that brain left at the door kind of way. This was the biggest hit of 1995, so the paying public lapped it up and paved the way for another Schumacher film in the franchise, but with all that star power wasted, and nipples on the rubber suits, it's hard to see now why it was so popular back then. 5/10
There are some great **things** in _Batman Forever_. Val Kilmer I think cops a bit too much flak for his go in the cape & cowl, he's certainly no sort of definitive Batman but I thought he did a fine job. The city has a crazy cool design, the Batmobile is updated in a wholly original way, and that neon street gang is some of the coolest shit I've ever seen put to screen. But this a **bad** movie. Burton might not have had a 100% source-material-faithful interpretation of the character, but it took Joel Schumacher (who usually I'm a big fan of) to ruin _Batman_ altogether. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I absolutely hate Val Kilmer as Batman. Out of everybody that's played batman, he's the worse I've ever seen. Otherwise the movie wasn't that bad considering.
With former District Attorney "Dent" (Tommy Lee Jones) badly scarred by an acid attack and now vengefully wreaking havoc on Gotham City, it falls to "Batman" (Val Kilmer) to try and thwart his over-the-top antics before people get killed. Meantime, his day job as "Bruce Wayne" introduces him to madcap scientist "Nygma" (Jim Carrey) who has plans to plunder people's brainwaves to find their greatest desires (or deepest fears). "Wayne" rejects this proposal as unethical but that just drives the unstable boffin into a partnership with the marauding "Two Face" and they have but one agenda. Kill "Batman". It's the circus that proves a most dangerous environment for everyone as it's raided with an huge bomb left timed to reduce the citizenry to dust, but luckily the performing "Grayson" family of acrobats intervene. Brave but foolish as their actions leave poor old "Dick" (Chris O'Donnell) orphaned and under the care of "Wayne". The sagely old butler "Alfred" (Michael Gough) who sees promise in the young man and similarities with his master, turns his hand to a little manipulation that duly compels the two to work together creating the legendary dynamic duo. Now the battle lines are drawn as the two caped crusaders have to combat their resourceful antagonists bent on their humiliation and destruction. With all of this mayhem going on, "Wayne" still finds time to nurture a little romance with "Dr. Chase" (Nicole Kidman) - a woman who can't decide whether she prefers him as himself or as his alter ego. What's gonna happen? The story here is a perfectly decent vehicle for the character, but there is nowhere near enough action, far too much verbiage and the leading performances are frankly quite annoying. To be fair to O'Donnell, he acquits himself adequately as the enthusiastic sidekick in lycra, but Kilmer is as rubbery as his suit, TLJ just seems to be doing it all by numbers and over-exuberant Carrey got on my nerves right from the start with a characterisation that's completely devoid of subtlety, wit or mischief. Joel Schumacher (and Tim Burton) have taken a sledgehammer approach to the story and tried to beat us into submission with a relentless series of repetitious scenarios that really do look like they've come straight from the static comic storyboard. As is so often the case with the "Batman", it's the butler who steals the show and Gough does that here, just by showing up. Otherwise, this is a long and disappointing big budget superhero adventure that's very long on special effects and gadgets, but seriously short on just about everything else.
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.
In the 21st Century, Tony Ricks was a criminal who was executed for his crimes. In the distant year 2020, he is revived in a freak accident, and must infiltrate a futuristic prison and retrieve a powerful bioweapon in exchange for his freedom... and his life.
Released to commemorate Kamen Rider 555's 20th anniversary, the film takes place after the ending of the TV series. Masato Kusaka and Mari Sonoda are fighting a new iteration of Smart Brain led by Kitazaki, who begins an operation to exterminate all Orphnochs, with Takumi Inui seemingly working with them for unknown reasons since his disappearance.
Eiji Hino returns to Japan and delivers some shocking news to Hina...
As the ancient king OOO continues his onslaught on humanity, Kougami gathers his former employees to create a resistance... and introduce a new weapon in the fight!
In order to counter the rapidly increasing organized crime, the development of Polymar Suits resumed under the direction of the newly inaugurated police superintendent. But when three of the test version Polymar Suits are stolen, former street fighter and current detective Takeshi Yoroi is tasked with recovering them and the invincible hero Hurricane Polymar is born!
An international conference on the future of cyber security held in China's tallest building is interrupted by a group of terrorists taking advantage of the lockdown ahead of the meeting. The only delegate not held by the terrorists Sunny Liu finds herself in the unenviable position of being the lone chance of stopping them. The terrorists think catching a single woman is easy, but they may have underestimated their prey.
Goro is a sommelier who transforms into the titular Kamen Rider G to fight the former anti-terrorism unit Shade, who captured and brainwashed him into a soldier, before the unit went underground due to the use of kidnapped people as supersoldiers. During a raid at TV Asahi led by Daidō Oda, who demands the release of their imprisoned leader, Seizan Tokugawa, Goro encounters his girlfriend Eri Hinata. She jogs his memory and he attacks his former comrades while getting Eri out of harm's way. This makes Oda reveal his true form as the Phylloxera Worm while his subordinates transform into the Acarina Worm, the Subst Worm, the Brachypelma Worm Viridis, and the Cochlea Worm to attempt to destroy the traitor. After an extended fight across the city and countryside, G manages to defeat Phylloxera Worm thanks to the encouragement of Decade and the other primary Heisei Riders appearing before him. Running off, Goro vows to save the world from Shade before returning to Eri.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
When the Hulk's presence on Earth becomes too great a risk, the Illuminati trick him to board a shuttle destined for a planet where he will be able to live in peace, and launch it into space. The Hulk's struggle to escape causes the shuttle to malfunction and crash land on the planet Sakaar, however, where he is sold into slavery and trained as a gladiator.