Gemini Man 2025 - Movies (Mar 26th)
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The Last Keeper 2024 - Movies (Mar 26th)
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The World According to Allee Willis 2024 - Movies (Mar 25th)
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Katy Tur Reports - (Mar 26th)
Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
The Diamond Sleeping in the Sea - (Mar 26th)
Watch What Happens Live with Andy Cohen - (Mar 26th)
**A film about characters and dialogue, made by men and for (some) men.** Watching films with a lot of dialogue allows us, sometimes, to find some very good works in terms of the construction of lines and development of characters. In these films, these elements become the essence that justifies their existence. And we can think of several examples, such as “Before Sunrise”. This film isn't bad either, but it targets a niche audience that I don't find myself in: single men, somewhat bitter and dissatisfied, misogynists and womanizers. I am single, and I feel peacefully satisfied, without a hint of misogyny and never closing doors to love, but also without any despair. And in fact, I haven't set foot in a bar since my college days. As you can see, I'm not the kind of man who could identify with these characters. The plot revolves around three friends, aspiring actors, who seek to make it in challenging Los Angeles. One of them is depressed due to the end of a long-term relationship, and the other two friends decide to take him to bars, to drink and flirt as much as possible. From drink to drink, from one flirtation to another, the conversation between the various characters reveal a lot about themselves, and the way they see the world. It's not a narrative film, it doesn't have a very solid story, but it has good characters and an excellent collection of dialogues. Directed by Doug Liman, the film has simple, but effective and credible cinematography, sets and costumes. Being an independent film, made outside the multimillion-dollar studios, the production had several budget problems that forced practical and functional choices. This may have been positive, allowing for greater verisimilitude and the choice of realistic locations and situations. Being a film so focused on the male mentality, and a world of bars and flirting, it is likely that the female audience would prefer to see something else. Screenwriter and actor John Favreau plays the main character, supported by two longtime friends, Vince Vaughn and Ron Livingstone. Each of them does a good job and explores their character very well, expressing a lot of themselves, which turns these characters into “alter egos” of the actors who play them. This is unusual in cinema, but not unheard of. The film also features the participation of other actors and friends of those involved, in smaller and less well-crafted characters.
In Martha's Vineyard, Mass., conjoined twins Walt and Bob Tenor make the best of their handicap by being the fastest grill cooks in town. While outgoing Walt hopes to one day become a famous actor, shy Bob prefers to stay out of the spotlight. When a fading Hollywood actress, Cher, decides to get her show "Honey and the Beaze" cancelled, she hires Walt - and his brotherly appendage - as her costars. But their addition surprisingly achieves the opposite.
On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.
Some college pals try remembering their night in order to find their missing friend. They encounter a weird stranger.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.