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Almost unsure as to what I think about 'Flickering Lights'. The film, to me anyway, has such an odd feel to it throughout, there's a weird mix of story elements and I'm not convinced it all works - and yet, I actually really like it... I think. In parts, though, if I closed my eyes it would sound like one sorta movie and if I covered my ears it would look like a different one. What I mean is, the music doesn't quite match the onscreen events. Is the music good? Sure, but the more dramatic pieces don't fit with the rough and tumble nature of the plot. With that said, I do really love how the film begins/ends and how it all comes full circle - coolly done. The flick utilises flashbacks excellently, also. Cast-wise, it's absolutely solid. Søren Pilmark is an able lead, while Ulrich Thomsen, Mads Mikkelsen and Nikolaj Lie Kaas, among a few others, are good behind Pilmark. I will say that the latter's part of the storyline with Sofie Gråbøl was off, it wraps up disappointingly... especially given *that* moment with Pilmark's Torkild, which should've sealed the opposite outcome. Interesting that Thomsen, Mikkelsen and director Anders Thomas Jensen would go on to make 'Adam's Apple' together five years after this. One of the flashbacks in this actually features heavy similarities to that 2005 film, which was presumably inspired by the short story used here. All in all, a very good release from 2000; even if it does leave a little bit of a strange aftertaste for me personally.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates."
A young aspiring screenwriter takes a ride along to research his script. But this is no ordinary ride along: he’s researching for a gangster film. And he may have bitten off more than he can chew.
FBI agent Barney Coopersmith is assigned to protect former Mafia figure turned informant Vincent Antonelli. In the witness protection program one is supposed to keep a low profile, but that is something that Antonelli has trouble doing. Coopersmith certainly has his hands full keeping Antonelli away from the Mafia hitmen who want to stop him testifying, not to mention the nightclubs...
ACP Krishna strives to capture the gangsters who threaten to attack his lover and her family members.
Tony is a notorious gangster with a big problem. He has woken up in an abandoned farmhouse, with blood on his shirt, and no memory of how he got there. He stumbles into a small town and discovers he’s in an Italian village that seems to be lost in time.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
