Delhi Durbar and Coronation

Director S. Sukhdev traveled the length of India to gather footage for his impressionistic portrait of the country in the year 1967. The film produces the same effect on the viewers as a month-long visit to India, a sense of having seen everything and a sense of having seen nothing, both at the same time.

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.

Thomas de Dorlodot and Horacio Llorens journeyed for a personal adventure across the Himalayan mountains. They covered roughly 350km and became the very first paragliders to fly over Rohtang Pass.

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

The story of Queen Elizabeth II from those who know her best.

Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.

Hindu temples at Benares and Belur and the mythologies associated with them.

This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.