Who Is Afraid Of Ideology? Part 4 Reverse Shot

Featurette on the 2009 horror film Orphan.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

The documentary of Kill Bill Vol.2, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 2. It consists of interviews, behind-the-scenes footage, and clips of the movie.

Sex. Something that is part of human nature. Everyone does it and strives to have their happily ever after… Right? In a society where intimacy and romance are constantly everywhere, someone breaks from the mould after years of self-discovery. They send a letter to their past self full of their experiences and lessons learned, in the form of a short documentary. A-Okay brings attention to the hyper-sexualized and romanticized society we live in and how it’s expectations, stigmas, and stereotypes can be harmful to individuals on the aromantic and asexual spectrums.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

The cast and crew talk about the core themes of the film and the seeds of the film.

A documentary behind the scenes of Peter Bogdanovich's 'The Cat's Meow' (2001).

Stan Lee and Len Wein talk about X-Men & Wolverine.

A biographical documentary on the late great comedian Bill Hicks and his career; in particular the censorship by Letterman that scarred it.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.