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Overall, Uncommon Valor (UV) is a less-flashy atypical Hollywood movie of ex-soldiers being reunited to form a team to rescue Vietnam POWs, using good (but not Oscar quality) humor, and decent near-realistic (but not memorable) special effects to tell a 2-part story of forming a rescue team which then performs their mission. Decades after UV was produced, one could say that it's just another run-of-the-mill movie about rescuing Vietnam POWs; however, this was one of the earlier movies of this genre so I don't think it can be fairly compared with the rest of this ilk. (E.g. Missing In Action was 1985 and the 2nd Rambo movie was 1986.) UV isn't a typical Hollywood attempt at making a blockbuster, yet it did very well in the theater. UV is noteworthy for being more emotional than its brethren; it's not a tear-jerker, nor is it a masterpiece drama since it is a bit light-hearted in many places and uses humor liberally. (The humor isn't comedy per se, I felt that its purpose is to reminder us that the characters are misfits and has-beens, ex-soldiers but not ex-warriors, and they're transitioning from plain vanilla real lives to what's normally reserved for elite teams of soldiers like Delta Force. UV has a charm about it that most others lack. The acting isn't superb, but it's still very good. It doesn't have tons of eye-candy special effects, but it does use them fairly appropriately to enhance the story; I'd even go so far to say that, unlike typical Hollywood movies of today, instead of dialogue and story gluing together a bunch of CGI action scenes, UV takes the opposite approach of using action scenes and humor to glue together the story parts and demonstrate that the characters are a bunch of misfits, aging former soldiers brought together for a rescue mission. Patrick Swayze's character is unique here, really gung ho, kind of a counterpoint to the aging ex-soldiers. The 1st half of UV tells a story of ex-soldiers coming together, overcoming their unique prejudices, and re-learning how to work together as a team. Eventually, they form a fairly effective team and the rescue mission is a Go. The action scenes weren't very realistic, but they were still OK, certainly good at demonstrating how the character steadily became a team. The 2nd half of UV is the rescue mission itself, not really anything spectacular and more typical of a Hollywood film. It's not bad at all, just fairly routine, but done well, nonetheless. The action scenes, in particular, are decent but not eye-popping or noteworthy of realism, yet they're sufficient for the story. (Of course, there are scenes which are a bit over-the-top, maybe worth a half-star ding in the overall rating.) PS This review is based on my having seen UV in the theater when released, augmented by my just having watched it again over 30 years later.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
