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The young "Maria" (Lily-Beau Leach) lives with her loving mum (Hayley Squires) in an home full to the brim of junk. Some of it just bric-a-brac, some of it more distasteful and unhealthy, but the pair rub along well enough scavenging their way through skips and bins. "Maria" has a tough time at school and doesn't really fit in, so when an accident at home sees her put into foster care, she has quite a bit of adjusting to do under the care of the savvy "Michelle" (Samantha Spiro). Now we scoot forward to her late teens where she (now Saura Lightfoot-Leon) is still living with "Michelle" and seemingly quite a content. One morning it's announced that "Michael" (Joseph Quinn), who was a former charge, is coming to stay for a while whilst his housing is sorted out. He's a decent cove with a girlfriend expecting a baby. Almost immediately he arrives, the two click. Not quite in any conventional sense, but there does seem to be something between them, and understanding. It's this that starts "Maria" thinking of her past, pining for it even - especially when a delivery man presents her with something entirely unexpected in a small package! With the two of them living increasingly closely, how might their relationship develop? Now this isn't for the squeamish. Right from the start we experience the rather sticky downsides of their quite grubby way of life, and as the story moves to it's second phase it becomes a potent, if shallow, character study of two people that just don't conform. The problem for me here is that the drama goes nowhere. It's a sequence of observations of the life of a woman that I didn't feel I knew on any level at all. Her behaviour is unsettling but it seemed to me that was so that the audience could feel unsettled, squirm in our chairs a bit, rather than because the character of "Maria" was evolving in any way. Indeed she seems to retrogress as the film just becomes increasingly tasteless and contrived. It's rare to see people leave an arthouse cinema mid-film, but they did during this. I didn't, but I am not at all sure what the point was, or to whom this is aimed. It has it's moments and at times is really visceral, but sorry - by the end I found it all just a bit too introspective and dull.
The Purple Dawn is a 1923 American silent romantic drama film that was produced, written, and directed by Charles R. Seeling. Starring Bessie Love, Bert Sprotte, and William E. Aldrich. The film is presumed lost.
Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.
When overworked lawyer Diana’s (Margo Harshman) uncle, Hugh, passes away she’s called back to his vineyard to settle his estate. Hugh has left half of his Golden Range Winery & Vineyard to Diana and half to Seth (Steve Talley), his right hand man and Diana’s ex-boyfriend. Hugh’s final request is that the two work the next harvest together, set to begin in a few weeks. Neither is happy at the arrangement but they begrudgingly agree. Furthermore, neighboring competitor Grant Garritson (Jack Wagner) threatens to drive a wedge into Diana and Seth’s already shaky relationship. They have a short window to figure it all out so that they both get what they ultimately want.
Sometimes, Ily is a short film about love and heartbreak. About the intensity of falling in love and the collapse of a couple, and above all, about the inevitable anguish of seeing your closest person become a complete stranger.
A depressed man spirals as he struggles to open up about his mental health. James, a mid-20s modern day man, has battled with anxiety and depression for an unknown amount of time. It’s unclear what caused is and the solution is even more ambiguous. While he has a loving group of friends and a caring partner, he cannot bring himself to open up, even when directly asked about it. This causes an inner conflict for James. He cannot speak about it, he can’t resolve his issues and the contemplative suicidal thoughts are too extreme to entertain. And so he is trapped with his life sentence, with his mind as his prison. He indulges in substance abuse and often imagines pretend scenarios to escape, but these fleeting feelings only make matters worse.
A short vacation should let the 17-year-old, deaf-mute Veronika forget the death of her beloved father, so the plan of her mother Christina. The place of recreation, however, is not chosen happily, due to lack of money: Gut Vorwald in the Sauerland region belongs to the mature nobleman Benno von Caldern, to whom Christina once pledged herself in her youth before meeting her future husband and renouncing Benno. Under the golden roof of autumnal oak crowns, the feelings of the past return, not without dramatic consequences.
After her aunts death, young Miriam gets a position with the Allnes family. They have a son, Hans. Miriam and Hans fall in love. But the Hans mother is jealous and disapprove.
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
"Reunion 2" continues the story of four friends who came from different parts of the world to meet again at their hometown of Plovdiv, 20 years after they left. This time they unite to help a fifth friend who is trying to save one of the last wild beaches at the southwest of the Black Sea from construction. As one of them is an actor, they decide to make a movie about their story and to buy out the beach with the profit. This leads to bunch of comedic and dramatic situations where their friendship and their relationships with their significant others are put on the line.
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
Young-seok, who feels overwhelmed and lonely in what should be his glorious youth, meets a woman who introduces herself as Josée, and they share a once-in-a-lifetime romance.
