كازينو أم عنبر

In 1930s Budapest, naïve orphan Luisa Ginglebuscher becomes an usherette at the local movie house, determined to succeed in her first job by doing good deeds for others and maintaining her purity. Luisa's well-meaning lies get her caught between a lecherous businessman, Konrad, and a decent but confused doctor, Max Sporum. When Luisa convinces Konrad that she's married to Max, Konrad tries everything he can to get rid of the baffled doctor.

One day Kurt discovers that society does not respect forklift operators very much. He quits his job, and starts climbing the social ladder. He wants to be somebody, but when he doesn't have success in any of his projects, Kurt turns – evil.

Enrico is a corporate man whose job is to manipulate inexperienced scions into selling their flailing companies. His latest assignment proves more difficult than anticipated—since his target are two young siblings whose parents just died in a car accident.

Khalil is a simple man with a simple rural character who comes up with a sudden upgrade to become a bank manager. His life changes completely in this new world, which he enters with all his requirements. His secretary works to change all his habits, style to keep up with his new job.

A polo-playing grandmother and her broke brood get back in the money with a Wall Street bet.

Ann Harding plays a lovely but somewhat naive young woman who goes on a European vacation after winning a lottery. Swept off her feet by charming Basil Rathbone, Harding finds herself married before she is fully able to grasp the situation. Slowly but surely, Rathbone's loving veneer crumbles; when he casually asks Harding to sign a document turning her entire fortune over to him, she deduces that her days are numbered.

A behind-the-scenes look at the rise of the American rock band, Kings of Leon.

A pensioner with many phobias realises one day that four million francs have been mistakenly deposited into his account. Instead of notifying the bank, he makes an unexpected decision: he withdraws the money and flees on his moped.

In the search for a single good person in the province of Sezuan, three gods finally find only poor street girl Shen Te, whom they reward with a large gift of money. Now wealthy, Shen Te is now so exploited by all men that she has no choice but to slip into the shoes of her hard-hearted cousin, Shui Ta. Accused of murdering the missing Shen Te, the supposed Shui Ta confesses his dual role and the gods avoid a conviction. But Shen Te aka Shui Ta is now abandoned by all humans and also by the gods – helpless in the world.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.