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Faith Or A Glock 9 Millimetre? End Of Days is directed by Peter Hyams and written by Andrew W. Marlowe. It stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, Udo Kier & CCH Pounder. It's the end of the Millennium and as 1999 draws to a close Satan (in human form played by Gabriel Byrne) is in town and looking for his bride. That bride is Christine York (Tunney), who 20 years earlier on her birthday had been chosen by Satanists to be the one for the spawning of the anti-Christ. Enter retired cop Jericho Cane (Schwarzenegger), a suicidal security expert whose family were murdered, and who after being hired to protect an every day business man finds himself in a battle with evil itself. It's not just the fate of poor Christine that's now in his hands, but that of mankind too. Arnold versus The Devil, you couldn't make it up could you? Well actually "they" did, but hey, what's wrong with pitting modern cinema's action super star against man's ultimate enemy? The answer is nothing wrong with it at all; as long as the expectation level is set at brain left at the door for some mindless popcorn fun. Which when one sees the premise on offer is all one can surely expect to see. Surely? Budgeted at $100 million by Universal Studios, of which $25 million went on the Austrian Oak's salary, End Of Days, contrary to some beliefs, made over double that when all sales were factored in. However, it was still a poor return for such a big block-buster and Universal were most disappointed in the returns. As was Schwarzenegger himself, who was hoping to launch a big movie come back after a run of sub standard movies had seen his stock fall. Throw in the Razzie nominations for Schwarzenegger, Byrne (who was also up for Stigmata) and Hyams, and it doesn't make particularly inspiring reading. It's all very ridiculous, the film not the statistics, but End Of Days is a whole bunch of explosive, bonkers, action based fun. The flaws are many, not least that the plot is actually an adventurous reworking of T2: Judgement Day (Arnie playing it on safe territory one feels). While giving the big man some character depth was never going to be a good move considering his-ahem-range. Yet the film finds him on particularly good muscular form, machine gunning, shooting rockets and facing off against Byrne's (having a great time and playing it as it should be played) snarly, sarcastic Old Nick adversary. Tunney (wolf whistle that body) bats the eyes and screams as befitting the role, Pollak deserves better but runs with it in his usual dry dulcet way, while the wonderful Miriam Margolyes gets to kick Arnie's butt! Yes it's that kind of movie folks. With dashes of grue and explosions aplenty it was never about trying to win awards. If ever a film does exactly what it says on the tin then this is it. Arnie V Satan, it is what it is, relax and enjoy. 7/10
**_Solid action/horror with Arnie_** The devil (Gabriel Byrne) comes to New York City to impregnate a chosen female (Robin Tunney) during the last hour of the second millennium to bring about the end of the world. The hope of humanity falls on an atheist ex-cop, Jericho Cane (Arnold Schwarzeneggar), and his partner (Kevin Pollak). Rod Steiger is also on hand as a no-nonsense Catholic priest. "End of Days" (1999) is a comic book action flick with horror/fantasy elements. It's not meant to be an accurate depiction of biblical eschatology. As such, it's useless to pick it apart on those grounds; just go with it and enjoy the ride. That said, there are some real-life subtexts and accurate biblical aspects. For instance, disillusionment due to the unjust death of a loved one (or any number of other tragedies) happens all the time. The movie is R-rated not just for the violence and cussing, but because the filmmakers try to convey the devil's filthy lawlessness, like a threesome with a mother & daughter in a brief dream sequence (which may be "reality," but it's hard to tell). Byrne has fun with the role of Satan. As a holiday action blockbuster with Schwarzenegger "End of Days" delivers the requisite thrills where there's a massive explosion about every 12 minutes. These types of movies only work if the story and the characters pull you into their world and the film accomplishes this just enough. It's no where near as good as the first two Terminator flicks, but it's close to being on par with the third one. Of course, "End of Days" is its own animal due to the apocalyptic, religious subject matter. On that note, the palette the filmmakers use is fittingly dark. The entire film takes place at night, mostly in the urban labyrinths of Gotham with additional sequences in Gothic churches, shadowy subterranean rooms and eerie woods. The film runs 2 hours, 1 minute, and was shot in New York City and the Los Angeles area. GRADE: B/B-
One of my favorite Arnold movies. A lot of crazy demonic people. Lots of action and a great storyline.
Arnie is ex-cop "Jericho" who runs an high end private security company. When an attempt is made on the life of one of his clients, he pursues a man throughout the city before being given a portentous warning by the would be assassin that the son of Satan is soon to be born. Now even he isn't going to but that, but as more mysterious happenings occur, he finds himself trying to keep "Christine" (Robin Tunney) safe from some henchmen, and from the Church - as she is sought by the big "D" himself (Gabriel Byrne). The plot is pretty flawed from start to finish. One would assume that however strong and resilient "Jericho might be, the fact that his foe could cause people to spontaneously combust at will would have but paid to any resistance fairly early on. Nope - he keeps coming back to fight another day - and after a while, that just becomes a little bit dull and leads to an ending that is as flat as it is predictable. I suppose I ought never to have expected much jeopardy, and neither the acting nor the dialogue really do much to elevate this from a very average outing for Schwarzenegger that offers us plenty of action but totally underplays the more demonic aspects of the plot that ought to have made this just a bit darker and more interesting. It is also way too long, and though well enough made, just left me feeling that I'd seen this all before, just in a different guise.
Frustrated by scrolling dating apps only to end up on lame, tedious dates, Noa takes a chance by giving her number to the awkwardly charming Steve after a produce-section meet-cute at the grocery store.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.
Dr. Samantha Goodman is a beautiful, young psychiatrist. Burnt out, she drives to the family’s winter cottage to spend time with her husband and sister. A relaxing weekend is jarringly interrupted when a terrifying and unexpected guest arrives. What follows is an extraordinary night of terror and evil mind games where escape is not an option.
Sergeant Tong is wracked with guilt after he unwittingly kills a young girl whilst capuring a criminal named Cheung. When the girl's sister is later kidnapped in a ploy to get Cheung released, Sergeant Tong vows to find and rescue her before she comes to harm.
As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building that houses a number of bizarre, eccentric tenants. After experiencing a string of disturbing occurrences, she attempts to uncover the building's sinister secret.
A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.
Forks, Washington resident Bella Swan is reeling from the departure of her vampire love, Edward Cullen, and finds comfort in her friendship with Jacob Black, a werewolf. But before she knows it, she's thrust into a centuries-old conflict, and her desire to be with Edward at any cost leads her to take greater and greater risks.
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
The teenager Madison McBride is traumatized by the loss of her deranged father when she was nine years old and the suicide of her beloved brother Brandon one year ago. She decides to join the Richard Miller University, where Brandon committed suicide, to overcome her demons. While walking to her dorm, she meets the weird janitor Wilbur Mackey that tells her that the place is haunted.
The Cusp is a serial killer who kills his victims and then brings them back to life; over and over again; until they beg to die! Maya is a psychic investigator who gained her powers after a 1 year coma after she was the Cusp's first victim! Now the Cusp Killer is back and Maya has little time to do what she has never done before: go into the mind of a killer unprotected and save his latest victim.
After being implicated in a murder, a young woman flees New York City and moves to Los Angeles, where she rents a room from a writer. They begin an affair, but it seems she's been followed by a homicidal duplicate of herself.